"On The Dneiper (Sur le Borysthène), Op. 51: Scene 1: Pas de deux" by Gennady Rozhdestvensky, State Symphony Orchestra of the Ministry of Culture was released on November 28, 2006. With this song being around four minutes long, at 3:51, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 19 in the song's album "Prokofiev: On The Dnieper, Romeo and Juliet Suite, The Year 1941". In this album, this song's track order is #4. In terms of popularity, On The Dneiper (Sur le Borysthène), Op. 51: Scene 1: Pas de deux is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With On The Dneiper (Sur le Borysthène), Op. 51: Scene 1: Pas de deux by Gennady Rozhdestvensky, State Symphony Orchestra of the Ministry of Culture having a BPM of 102 with a half-time of 51 BPM and a double-time of 204 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rothschild's Violin: Bronze "Kak na etom svete" | Anatoli Saliulin, Геннадий Рождественский, USSR Ministry of Culture Symphony Orchestra | B Minor | 0 | 10A | 89 BPM | ||
Vocalise, Op. 34, No. 14 | Sergei Rachmaninoff, Berliner Philharmoniker, Lorin Maazel | E Minor | 1 | 9A | 76 BPM | ||
The Protecting Veil: The Nativity of the Mother of God | John Tavener, Steven Isserlis, Gennady Rozhdestvensky, London Symphony Orchestra | F♯ Minor | 0 | 11A | 101 BPM | ||
Cinderella, Op. 87: Act I: No. 9. Cinderella Dreams of the Ball | Sergei Prokofiev, Gennady Rozhdestvensky, Moscow RTV Large Symphony Orchestra | D♭ Major | 1 | 3B | 114 BPM | ||
Symphony No. 2 in B Minor: III. Andante | Alexander Borodin, Gennady Rozhdestvensky, Royal Stockholm Philharmonic Orchestra | D♭ Major | 0 | 3B | 65 BPM | ||
Polonaise in A-Flat Major, Op. 53 | Frédéric Chopin, Evgeny Kissin | A♭ Major | 3 | 4B | 85 BPM | ||
Etudes: V. Port de bras et pas de badin | Knudåge Riisager, Gennady Rozhdestvensky, Danish National Symphony Orchestra | A Minor | 3 | 8A | 100 BPM | ||
Prince Igor (Knyaz Igor): Act II: Polovtsian Dances - Ulyetay na kril'yahk vyetra (Fly away on the wings of the wind) (version for chorus) | Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | D Major | 2 | 10B | 110 BPM | ||
Berceuse Op. 16 | Gabriel Fauré, Slovak Radio Symphony Orchestra, Keith Clark | D Major | 1 | 10B | 127 BPM | ||
Scènes de ballet, Op. 52: VI. Danse Orientale | Alexander Glazunov, Moscow Philharmonic Orchestra, Alexander Anissimov | A♭ Major | 0 | 4B | 78 BPM |
Section: 0.777632474899292
End: 0.78330397605896