"The Protecting Veil: The Nativity of the Mother of God" by John Tavener, Steven Isserlis, Gennady Rozhdestvensky, London Symphony Orchestra was released on 1992. The Protecting Veil: The Nativity of the Mother of God is about six minutes long, preciously at 6:21, making this song fairly long compared to other songs. The track order of this song in Steven Isserlis, Gennady Rozhdestvensky, London Symphony Orchestra's "John Tavener: The Protecting Veil" album is number 2 out of 20. In terms of popularity, The Protecting Veil: The Nativity of the Mother of God is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Protecting Veil: The Nativity of the Mother of God by John Tavener, Steven Isserlis, Gennady Rozhdestvensky, London Symphony Orchestra to be Andante (at a walking pace) because the track has a tempo of 101 BPM, a half-time of 50BPM, and a double-time of 202 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Salvation Is Created, Op. 25 No. 5 | Pavel Chesnokov, PaTRAM Institute Male Choir, Vladimir Gorbik | D Major | 0 | 10B | 129 BPM | ||
13 Canons, Op. 113: No. 13. Einformig ist der Liebe Gram | Johannes Brahms, Monteverdi Choir, female section, John Eliot Gardiner | A Minor | 0 | 8A | 79 BPM | ||
Si du malheur | Orlande de Lassus, Ensemble Clément Janequin, Dominique Visse | E♭ Minor | 0 | 2A | 138 BPM | ||
Threshold of Night | Tarik O'Regan, Craig Hella Johnson, Conspirare | B♭ Major | 0 | 6B | 79 BPM | ||
Prayer of St. Gregory, Op. 62b | Alan Hovhaness, Charles Butler, Seattle Symphony Orchestra, Gerard Schwarz | A Minor | 1 | 8A | 87 BPM | ||
Miserere, Op.44: 3. Domine Deus noster-Lento. Poco espressivo | Henryk Górecki, Los Angeles Master Chorale, Grant Gershon | G Major | 0 | 9B | 100 BPM | ||
Miserere, Op. 44: 11. Miserere nobis - Lento, tranquilissimo, cantabilissimo, dolcissimo | Henryk Górecki, Los Angeles Master Chorale, Grant Gershon | A Minor | 0 | 8A | 129 BPM | ||
Da pacem Domine | Arvo Pärt, Estonian Philharmonic Chamber Choir, Paul Hillier | D Minor | 0 | 7A | 84 BPM | ||
L'amour, le temps | Bernat Vivancos, Sigvards Kļava, Latvian Radio Choir | A Minor | 0 | 8A | 77 BPM | ||
Les Barricades mystérieuses | François Couperin, David Greilsammer | B♭ Major | 0 | 6B | 131 BPM |
Section: 0.6866776943206787
End: 0.6918118000030518