"Piano Concerto No. 2 in G Minor, Op. 16: I. Andantino - Allegretto" by Sergei Prokofiev, Neeme Järvi, Royal Concertgebouw Orchestra, Horacio Gutiérrez was released on October 1, 1990. Piano Concerto No. 2 in G Minor, Op. 16: I. Andantino - Allegretto appears to be safe for all ages as it is not explicit. There are a total of 7 in the song's album "Prokofiev: Piano Concertos Nos. 2 & 3". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. Piano Concerto No. 2 in G Minor, Op. 16: I. Andantino - Allegretto is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Piano Concerto No. 2 in G Minor, Op. 16: I. Andantino - Allegretto by Sergei Prokofiev, Neeme Järvi, Royal Concertgebouw Orchestra, Horacio Gutiérrez having a BPM of 89 with a half-time of 44 BPM and a double-time of 178 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Trio in D minor, Op. 120: 1. Allegro, ma non troppo | Gabriel Fauré, Beaux Arts Trio | E Major | 0 | 12B | 108 BPM | ||
Sinfonietta, FP 141: I. Allegro con fuoco | Francis Poulenc, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | G Minor | 1 | 6A | 80 BPM | ||
The Sleeping Beauty, Op. 66, TH 13 / Prologue: 1. Marche (Entrance of King and Court) | Pyotr Ilyich Tchaikovsky, Concertgebouworkest, Antal Doráti | A Major | 2 | 11B | 126 BPM | ||
The Sleeping Beauty, Op. 66, TH 13 / Act 1: 8a. Pas d'action: Introduction (Andante) - Adagio ("Rose Adagio") | Pyotr Ilyich Tchaikovsky, Concertgebouworkest, Antal Doráti | E♭ Major | 2 | 5B | 71 BPM | ||
Piano Concerto No. 2, BB 101, Sz. 95: I. Allegro | Béla Bartók, Géza Anda, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay | C Major | 5 | 8B | 98 BPM | ||
24 Preludes, Op. 34: No. 7 in A Major. Andante | Dmitri Shostakovich, Tatiana Nikolayeva | E Major | 0 | 12B | 129 BPM | ||
Sonata for Violin and Piano in A: 3. Recitativo - Fantasia (Ben moderato - Largamente - Molto vivace) | César Franck, Kaja Danczowska, Krystian Zimerman | D Major | 0 | 10B | 84 BPM | ||
Saint-Saëns: Piano Concerto No. 5 in F Major, Op. 103 "Egyptian": II. Andante | Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France | D Major | 1 | 10B | 129 BPM | ||
5 Mélodies, Op.35bis: 1. Andante | Sergei Prokofiev, David Oistrakh, Frida Bauer | D♭ Major | 1 | 3B | 172 BPM | ||
Prokofiev: Piano Concerto No. 3 in C Major, Op. 26: II. Tema con variazioni | Sergei Prokofiev, Martha Argerich, Charles Dutoit, Orchestre Symphonique de Montréal | D Major | 3 | 10B | 120 BPM |
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