"Sinfonietta, FP 141: I. Allegro con fuoco" by Francis Poulenc, RTÉ National Symphony Orchestra, Jean-Luc Tingaud was released on May 11, 2018. Since Sinfonietta, FP 141: I. Allegro con fuoco is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 15 in the song's album "Poulenc: Les biches Suite, Les animaux modèles Suite & Sinfonietta". In this album, this song's track order is #12. Furthermore, we believe that the track originated from Hong Kong. Sinfonietta, FP 141: I. Allegro con fuoco is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Sinfonietta, FP 141: I. Allegro con fuoco by Francis Poulenc, RTÉ National Symphony Orchestra, Jean-Luc Tingaud having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Debussy: Sonata for Flute, Viola and Harp, L. 137: I. Pastorale - Lento, dolce rubato | Claude Debussy, Bertrand Chamayou | F Major | 0 | 7B | 80 BPM | ||
Much ado about nothing - Incidental Music: No. 3 Dogberry and Verges | Erich Wolfgang Korngold, Gil Shaham, André Previn | G Major | 1 | 9B | 110 BPM | ||
Symphony No. 4 in F Minor, Op. 36: III. Scherzo. Pizzicato ostinato - Allegro | Pyotr Ilyich Tchaikovsky, Gianandrea Noseda, London Symphony Orchestra | A Minor | 0 | 8A | 82 BPM | ||
Symphony No.1 In C Minor, Op.68: 2. Andante sostenuto | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | E Major | 1 | 12B | 85 BPM | ||
Love's Labour's Lost, Op. 28a: II. Longaville's Sonnet | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | D Minor | 0 | 7A | 94 BPM | ||
Le Bal Masqué: I. Préambule et Air de bravoure | Francis Poulenc, Malcolm Martineau, Thomas Allen, Julian Bliss, Jarek Augustyniak, Simon Desbruslais, Tamsin Waley-Cohen, Gemma Rosefield, David Corkhill, Andrew Barnard, Gary Lovenest, David Cowley | G Major | 3 | 9B | 94 BPM | ||
Ma mère l'oye, ballet, M. 62: 3. Les Entretiens de la Belle et de la Bête.Mouvement de Valse modéré | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez | G Minor | 0 | 6A | 89 BPM | ||
Les animaux modèles Suite, FP 111: I. Le petit jour | Francis Poulenc, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | G Minor | 1 | 6A | 80 BPM | ||
Four Orchestral Pieces Op. 12 (Sz 51): III. Intermezzo: Moderato | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | D Major | 1 | 10B | 73 BPM | ||
Pictures At An Exhibition: The Tuileries Gardens | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | E♭ Minor | 0 | 2A | 105 BPM |
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