"Divine Liturgy (Arr. V. Sharafyan for Mixed Choir): The Lord's Prayer" by Komitas, Armen Badalyan, Hovhannes Nersesyan, Latvian Radio Choir, Sigvards Kļava was released on July 10, 2020. The duration of Divine Liturgy (Arr. V. Sharafyan for Mixed Choir): The Lord's Prayer is about 3 minutes long, at 3:03. Based on our data, "Divine Liturgy (Arr. V. Sharafyan for Mixed Choir): The Lord's Prayer" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Komitas, Latvian Radio Choir, Sigvards Kļava's "Komitas: Divine Liturgy" album is number 22 out of 31. On top of that, United States appears to be the country where this track was created. Divine Liturgy (Arr. V. Sharafyan for Mixed Choir): The Lord's Prayer is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Divine Liturgy (Arr. V. Sharafyan for Mixed Choir): The Lord's Prayer by Komitas, Armen Badalyan, Hovhannes Nersesyan, Latvian Radio Choir, Sigvards Kļava to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Street (harp solo): Station IV. Jesus meets his Mother | Nico Muhly, Alice Goodman, Parker Ramsay | C Major | 0 | 8B | 87 BPM | ||
Quatre Pièces romantiques, Op. 30: III. Berceuse | Charlotte Sohy, Marie Vermeulin | F Minor | 0 | 4A | 62 BPM | ||
Mahler / Transcr. Tharaud: Symphony No. 5 in C-Sharp Minor, Pt. 3: IV. Adagietto | Gustav Mahler, Alexandre Tharaud | F Major | 0 | 7B | 71 BPM | ||
3 Visions: No. 2, Summerland | William Grant Still, Bruce Levingston | F♯ Major | 0 | 2B | 67 BPM | ||
6 Impromptus, Op. 5: Impromptu No. 5 in B Minor | Jean Sibelius, Håvard Gimse | B Minor | 0 | 10A | 84 BPM | ||
Apariciones: Valses Romanticos: Sensitive | Enrique Granados, Douglas Riva | C Minor | 0 | 5A | 143 BPM | ||
6 Studies in English Folksong (Version for Cello & Piano): No. 2, Andante sostenuto "Spurn Point" | Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham | E♭ Major | 0 | 5B | 90 BPM | ||
Morgen, Op. 27 No. 4 (Arr. Reger for Piano) | Richard Strauss, Angela Hewitt | A Major | 2 | 11B | 143 BPM | ||
24 Préludes, Op. 28: No. 4 in E Minor | Frédéric Chopin, Martha Argerich | A Minor | 0 | 8A | 51 BPM | ||
Sonata in D Minor, K. 32 | Domenico Scarlatti, Lucas Debargue | D Minor | 0 | 7A | 130 BPM |
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