Uuno Klami, Lahti Symphony Orchestra, Osmo Vänskä's 'Tema con 7 variazioni e coda, Op. 44: XI. Coda' came out on March 31, 1995. With Tema con 7 variazioni e coda, Op. 44: XI. Coda being less than two minutes long, at 1:20, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Uuno Klami's "Klami: Kalevala Suite" album is number 12 out of 17. Tema con 7 variazioni e coda, Op. 44: XI. Coda is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Tema con 7 variazioni e coda, Op. 44: XI. Coda by Uuno Klami, Lahti Symphony Orchestra, Osmo Vänskä to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lyric Suite, Op. 54: I. Gjetergutt (Shepherd Boy): Andante espressivo | Edvard Grieg, Bergen Philharmonic Orchestra, Ole Kristian Ruud | F Major | 0 | 7B | 82 BPM | ||
L’arlésienne Suite No. 1, Op. 23bis, WD 40: III. Adagietto | Georges Bizet, Jesús López-Cobos, Cincinnati Symphony Orchestra | F Major | 1 | 7B | 60 BPM | ||
La Mer, L.109: 2. Play of the Waves (Jeux de vagues) | Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit | E Major | 1 | 12B | 113 BPM | ||
Pelleas et Melisande, Op. 80 (arr. C. Koechlin): IV. Fileuse - Allegretto moderato | Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz Holliger | G Major | 0 | 9B | 90 BPM | ||
Symphony No. 2 In C Minor - "Resurrection" / 1st Movement - Allegro maestoso (Totenfeier): Allegro maestoso | Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan | C Minor | 1 | 5A | 80 BPM | ||
Metsanhaltija (The Forest Spirit), Op. 10, No. 4 | Uuno Klami, Esa Ylonen | E♭ Major | 2 | 5B | 101 BPM | ||
The Seasons, Op. 67: VII. Scene 2, Le Printemps | Alexander Glazunov, Neeme Järvi, Royal Scottish National Orchestra | F♯ Major | 1 | 2B | 94 BPM | ||
Symphony No. 2, Op. 132, "Mysterious Mountain": II. Double Fugue | Alan Hovhaness, Seattle Symphony Orchestra, Gerard Schwarz | A Minor | 2 | 8A | 73 BPM | ||
Ayşe Gülsen Ağ | Gökçe Ağ | D Major | 1 | 10B | 123 BPM | ||
Lyric Suite, Op. 54: II. Gangar (Norwegian March): Allegretto marciale | Edvard Grieg, Bergen Philharmonic Orchestra, Ole Kristian Ruud | D Major | 0 | 10B | 83 BPM |
Section: 0.9923250675201416
End: 0.9964699745178223