"Massenet: 6 Danses: No. 6 in F Major. Avec ampleur, sans lenteur" by Jules Massenet, Aldo Ciccolini was released on January 1, 1980. The duration of Massenet: 6 Danses: No. 6 in F Major. Avec ampleur, sans lenteur is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. Massenet: 6 Danses: No. 6 in F Major. Avec ampleur, sans lenteur's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Jules Massenet, Aldo Ciccolini, Orchestre National de l'Opéra de Monte-Carlo, Sylvain Cambreling's "Massenet: L'œuvre de piano" album is number 47 out of 56. On top of that, France appears to be the country where this track was created. In terms of popularity, Massenet: 6 Danses: No. 6 in F Major. Avec ampleur, sans lenteur is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Massenet: 6 Danses: No. 6 in F Major. Avec ampleur, sans lenteur by Jules Massenet, Aldo Ciccolini to be Andante (at a walking pace) because the track has a tempo of 107 BPM, a half-time of 54BPM, and a double-time of 214 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Khachaturian: Spartacus (Highlights from the Ballet): Adagio of Spartacus and Phrygia | Aram Khachaturian, London Symphony Orchestra | A♭ Major | 1 | 4B | 88 BPM | ||
Thais, Act II: Meditation (arr. M.P. Marsick) | Martin Pierre Marsick, Jules Massenet, Takako Nishizaki, Jenő Jandó | D Major | 1 | 10B | 84 BPM | ||
Chant du menestrel for Cello and Orchestra, Op. 71 | Alexander Glazunov, Alexander Rudin, Moscow Symphony Orchestra, Igor Golovschin | F♯ Minor | 0 | 11A | 87 BPM | ||
Sicilienne, Op. 78 | Gabriel Fauré, Harriet Krijgh, Kamilla Isanbaeva | E♭ Major | 1 | 5B | 123 BPM | ||
Sonata for 2 Pianos in D Major, K. 448/375a: II. Andante | Wolfgang Amadeus Mozart, Ingrid Haebler, Ludwig Hoffmann | G Major | 0 | 9B | 110 BPM | ||
Variations on a Norwegian Folktune, Op. 31: I fjol gjaett'e gjeitinn | Johan Svendsen, Latvian National Symphony Orchestra, Terje Mikkelsen | E Major | 1 | 12B | 87 BPM | ||
Montero: Adagio (After Bach's Violin Concerto No. 2, BWV 1042) | Johann Sebastian Bach, Gabriela Montero | F♯ Minor | 0 | 11A | 73 BPM | ||
Manon: 'Les Voilà les voilà les voilà' | Jules Massenet, Renée Fleming, Marcelo Álvarez, Jesús López-Cobos | G Major | 1 | 9B | 166 BPM | ||
Stille Musik: 3. Augenblicke der Serenade | Valentin Silvestrov | C Major | 0 | 8B | 86 BPM | ||
Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: II. Andante | Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the Fields | G Major | 1 | 9B | 95 BPM |
Section: 0.5533802509307861
End: 0.5575106143951416