In dulci jubilo (bearb. von R. Pearsall): In Dulci Jubilo (arr. R.L. Pearsall for choir) - Robert Lucas Pearsall, Traditional, Trinity Church Choir, New York Information

Acousticness: 99%
Danceability: 21%
Energy: 7%
Instrumentalness: 2%
Liveness: 8%
Loudness: 56%
Speechiness: 5%
Valence: 13%
Popularity: 1%
Loudness: -26.148 dB

Summary

"In dulci jubilo (bearb. von R. Pearsall): In Dulci Jubilo (arr. R.L. Pearsall for choir)" by Robert Lucas Pearsall, Traditional, Trinity Church Choir, New York was released on October 1, 2001. The duration of In dulci jubilo (bearb. von R. Pearsall): In Dulci Jubilo (arr. R.L. Pearsall for choir) is about 3 minutes long, at 3:16. Based on our data, "In dulci jubilo (bearb. von R. Pearsall): In Dulci Jubilo (arr. R.L. Pearsall for choir)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 12 out of 23 in Christmas at Trinity by Owen Burdick. Based on our statistics, In dulci jubilo (bearb. von R. Pearsall): In Dulci Jubilo (arr. R.L. Pearsall for choir)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

In dulci jubilo (bearb. von R. Pearsall): In Dulci Jubilo (arr. R.L. Pearsall for choir) BPM

The tempo marking of In dulci jubilo (bearb. von R. Pearsall): In Dulci Jubilo (arr. R.L. Pearsall for choir) by Robert Lucas Pearsall, Traditional, Trinity Church Choir, New York is Allegro (fast, quick, and bright), since this song has a tempo of 127 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.

In dulci jubilo (bearb. von R. Pearsall): In Dulci Jubilo (arr. R.L. Pearsall for choir) Key

This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
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Missa Tempore Quadragesimae, MH 553: Kyrie	Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi	A Major	0	11B	77 BPM
Three Shakespeare Songs: II. The Cloud-capp'd Towers	Ralph Vaughan Williams, Simon Phipps, Swedish Chamber Choir	B♭ Major	1	6B	79 BPM
The Waves are Sleepy	St. Petersburg Optina Pustyn Male Choir	A♭ Major	1	4B	138 BPM
Tant que vivray	Claudin de Sermisy, Ensemble Clément Janequin, Dominique Visse	E Major	1	12B	72 BPM
Lay a Garland on Her Hearse	Robert Lucas Pearsall, Choir of Keble College, Oxford, Philip Stopford	D♭ Major	2	3B	59 BPM
Tantum ergo, WAB 43	Anton Bruckner, Latvian Radio Choir, Kristīne Adamaite, Sigvards Kļava	A Major	2	11B	135 BPM
All-night Vigil, Op. 37, "Vespers": Great Doxology: Glory be to God on high	Sergei Rachmaninoff, Latvian Radio Choir, Sigvards Kļava	E♭ Major	0	5B	81 BPM
Missa si Deus pro nobis, a 16 voci: I. Kyrie eleison	Orazio Benevoli, Le Concert Spirituel, Herve Niquet	C Major	1	8B	94 BPM
3 extraits de la Messe des Morts: Pie Jesu	Théodore Dubois, Jugendsinfonieorchester de Bonn Chorale Franco-Allemande de Paris, Bernard Lallement, Marie-Noelle Cros, Patrick Garayt, Philippe Desandré, Berthold Wicke	C Minor	1	5A	82 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.6585588455200195

End: 0.6649177074432373