Adelbert von Chamisso, Frank Arnold made "Kapitel 26 - Peter Schlemihls wundersame Reise" available on March 18, 2016. The duration of Kapitel 26 - Peter Schlemihls wundersame Reise is about 3 minutes long, at 3:07. Based on our data, "Kapitel 26 - Peter Schlemihls wundersame Reise" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 44 in the song's album "Peter Schlemihls wundersame Reise (Ungekürzte Lesung)". In this album, this song's track order is #26. Furthermore, we believe that the track originated from Germany. Kapitel 26 - Peter Schlemihls wundersame Reise is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Kapitel 26 - Peter Schlemihls wundersame Reise by Adelbert von Chamisso, Frank Arnold having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Stabat Mater, FP 148: VI. Vidit suum | Francis Poulenc, Marianne Croux, Ensemble Aedes, Les Siècles | G Major | 1 | 9B | 113 BPM | ||
An die Musik | Vienna Boys' Choir | E Major | 0 | 12B | 80 BPM | ||
The Laird O'Cockpen | Charlotte Hoather | E Minor | 1 | 9A | 112 BPM | ||
2. Notenbüchlein für Anna Magdalena Bach: I. No. 33, Aria: Warum betrübst Du Dich, BWV 516 | Johann Sebastian Bach, Aki Matsui, Masaaki Suzuki, Toru Yamamoto | E♭ Minor | 2 | 2A | 74 BPM | ||
O magnum mysterium: I. O magnum mysterium | Peter Maxwell Davies, Howard Arman, Bavarian Radio Chorus | F♯ Major | 1 | 2B | 110 BPM | ||
Bach, CPE: Magnificat in D Minor, Wq. 215: VI. Deposuit potentes | Carl Philipp Emanuel Bach, Geraint Jones, Helen Watts, Wilfred Brown, Geraint Jones Orchestra | F Major | 1 | 7B | 85 BPM | ||
Adams: Girls of the Golden West, Act I Scene 3: Josefa, you remember | John Adams, Los Angeles Philharmonic, Daniela Mack, Elliot Madore | A♭ Major | 3 | 4B | 83 BPM | ||
Beau soir, L. 6 | Dilyana Georgieva, Galina Apostolova | F♯ Minor | 2 | 11A | 142 BPM | ||
Spring Symphony, Op. 44, Part III: When will my May come (Tenor) | Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra, Allan Clayton | D Major | 2 | 10B | 148 BPM | ||
Laudate pueri, HWV 237: IV. Excelsus super omnes | George Frideric Handel, Carolyn Sampson, Akademie für Alte Musik Berlin, Justin Doyle | D♭ Major | 2 | 3B | 108 BPM |
Section: 0.5956144332885742
End: 0.6018402576446533