"4 Songs of Eastern Canada: I. J'ai cueilli la belle rose" by Godfrey Ridout, Judith Forst, CBC Vancouver Orchestra, Mario Bernardi was released on January 1, 2008. The duration of 4 Songs of Eastern Canada: I. J'ai cueilli la belle rose is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. 4 Songs of Eastern Canada: I. J'ai cueilli la belle rose's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "Tableau". In this album, this song's track order is #4. In terms of popularity, 4 Songs of Eastern Canada: I. J'ai cueilli la belle rose is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 4 Songs of Eastern Canada: I. J'ai cueilli la belle rose by Godfrey Ridout, Judith Forst, CBC Vancouver Orchestra, Mario Bernardi having a BPM of 115 with a half-time of 58 BPM and a double-time of 230 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Amour... amour... (Version for Orchestra) | Franco Alfano, Orchestra Sinfonica Di Milano, Giuseppe Grazioli | G Major | 1 | 9B | 99 BPM | ||
Ye, Who Seek the Truth | Julia Perry, Arr. Jannina Norpoth, James Blachly, Experiential Orchestra | C Major | 4 | 8B | 89 BPM | ||
Bacchus, Act III Tableau 2: Les Mysteres dionysiaques: Allegro moderato - Nocturne | Jules Massenet, Barcelona Symphony and Catalonia National Orchestra, Patrick Gallois | F Major | 0 | 7B | 50 BPM | ||
Swan Lake Suite, Op. 20a, TH 219, Act II: No. 10, Scene | Pyotr Ilyich Tchaikovsky, Royal Philharmonic Orchestra, Sir Charles Mackerras | E Minor | 1 | 9A | 106 BPM | ||
Romeo and Juliet, Suite No. 2, Op. 64ter: I. The Montagues and Capulets | Sergei Prokofiev, Antwerp Symphony Orchestra, Elim Chan | B Major | 0 | 1B | 124 BPM | ||
4 Songs of Eastern Canada: II. She's like the Swallow | Godfrey Ridout, Judith Forst, CBC Vancouver Orchestra, Mario Bernardi | A♭ Major | 0 | 4B | 111 BPM | ||
Symphony No. 5 in E-flat major, Op. 82: II. Andante mosso, quasi allegretto | Jean Sibelius, Orchestre Métropolitain, Yannick Nézet-Séguin | G Major | 0 | 9B | 129 BPM | ||
Made Of Dreams | Return Of Dream | B♭ Minor | 2 | 3A | 172 BPM | ||
Symphony No. 2, Op. 52, "Lobgesang": I. Sinfonia: II. Allegretto un poco agitato | Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi | E Major | 1 | 12B | 72 BPM | ||
Wood Music - Concerto pour quintette à vent et orchestre | Olivier Calmel, Scoring Orchestra, Aurélien Azan Zielinski, Mayu Sato-Brémaud, Annelise Clément, Baptiste Gibier, Cyril Normand, Frank Sibold | B Major | 0 | 1B | 67 BPM |
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