"Bacchus, Act III Tableau 2: Les Mysteres dionysiaques: Allegro moderato - Nocturne" by Jules Massenet, Barcelona Symphony and Catalonia National Orchestra, Patrick Gallois was released on November 5, 2013. With Bacchus, Act III Tableau 2: Les Mysteres dionysiaques: Allegro moderato - Nocturne being less than two minutes long, at 1:52, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Jules Massenet, Orquesta Sinfónica de Barcelona, Patrick Gallois's "Massenet: Ballet Music" album is number 1 out of 32. On top of that, Hong Kong appears to be the country where this track was created. Bacchus, Act III Tableau 2: Les Mysteres dionysiaques: Allegro moderato - Nocturne is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Bacchus, Act III Tableau 2: Les Mysteres dionysiaques: Allegro moderato - Nocturne by Jules Massenet, Barcelona Symphony and Catalonia National Orchestra, Patrick Gallois to be Lento (slowly) because the track has a tempo of 50 BPM, a half-time of 25BPM, and a double-time of 100 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Toward the Sea II: I. The Night | Toru Takemitsu, Yolanda Kondonassis, Joshua Smith, Bridget-Michaele Reischl, Oberlin 21 | E♭ Major | 0 | 5B | 107 BPM | ||
弦楽のためのアダージョ (バーバー)[式後の音楽] | ソフィア交響楽団 | B♭ Minor | 1 | 3A | 78 BPM | ||
Symphony No. 5 in E Minor Op. 64: 3. Valse. Allegro moderato | Pyotr Ilyich Tchaikovsky, Ken-Ichiro Kobayashi, Kobaken And His Friends Orchestra | A Major | 1 | 11B | 135 BPM | ||
Pelleas et Melisande, Op. 80 (arr. C. Koechlin): I. Prelude - Andante molto moderato | Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz Holliger | E Major | 1 | 12B | 94 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): II. Aragonaise | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Minor | 0 | 7A | 117 BPM | ||
Falla: El sombrero de tres picos, Pt. 2: Danza de los vecinos | Manuel de Falla, Sir Neville Marriner, Academy of St. Martin in the Fields | F Major | 0 | 7B | 121 BPM | ||
The Night Of The Iguana: Maxine And Shannon Theme (Finale) | Benjamin Frankel, Queensland Symphony Orchestra, Werner Andreas Albert | A Major | 0 | 11B | 83 BPM | ||
Cancionero de Pedrell: No. 5, Muera yo | Roberto Gerhard, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Núria Rial, Francesc Prat | E Major | 2 | 12B | 136 BPM | ||
Illusion, Op. 1, No. 2 | Selim Palmgren, Camerata Finlandia, Jorma Panula | E Minor | 0 | 9A | 172 BPM | ||
Werther: Act I - Clair de lune | Jules Massenet, Georges Thill, Ninon Vallin, Paris National Opera Chorus, Paris National Opera Orchestra, Elie Cohen | F Major | 3 | 7B | 84 BPM |
Section: 0.5904819965362549
End: 0.5936477184295654