Rita Strohl, Yoshika Masuda, HyeJin Kim's 'Great Dramatic Sonata, "Titus et Bérénice": I. Allegro moderato' came out on March 8, 2024. Great Dramatic Sonata, "Titus et Bérénice": I. Allegro moderato appears to be safe for all ages as it is not explicit. The track order of this song in Yoshika Masuda, HyeJin Kim's "Hidden Flame" album is number 5 out of 13. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Great Dramatic Sonata, "Titus et Bérénice": I. Allegro moderato's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Great Dramatic Sonata, "Titus et Bérénice": I. Allegro moderato by Rita Strohl, Yoshika Masuda, HyeJin Kim to be Allegro (fast, quick, and bright) because the track has a tempo of 143 BPM, a half-time of 72BPM, and a double-time of 286 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Liebesbotschaft (Schwanengesang) | Franz Schubert, Antoine Tamestit, Markus Hadulla | F♯ Minor | 0 | 11A | 89 BPM | ||
Piano Trio in A Minor, Op. 50, TH 117: Tema con variazioni, Variation XI: Moderato | Pyotr Ilyich Tchaikovsky, Geneva Piano Trio | E Major | 0 | 12B | 91 BPM | ||
Piano Trio in A Minor, M. 67: I. Modéré | Maurice Ravel, Florestan Trio | C Major | 0 | 8B | 84 BPM | ||
Trumpet Concerto in B-Flat Major, Op. 94: III. Fanfares: IV | Mieczysław Weinberg, Sergei Nakariakov, Christian Lindberg, Liepaja Symphony Orchestra | D Minor | 4 | 7A | 93 BPM | ||
Velvet Waltz | Takashi Yoshimatsu, 宮田 大, ジュリアン・ジェルネ | A Minor | 1 | 8A | 100 BPM | ||
Concerto for 2 Pianos and Orchestra in D Minor, FP. 61: II. Larghetto | Francis Poulenc, Mari Kodama, Momo Kodama, Orchestre de la Suisse Romande, Kent Nagano | D Major | 2 | 10B | 114 BPM | ||
8 Pieces, Op. 83: III. Andante con moto – Andante | Max Bruch, Philon Trio | F♯ Minor | 0 | 11A | 63 BPM | ||
Concerto for Cello and Wind Orchestra: II. Romance | Jacques Ibert, Ernst Simon Glaser, Norwegian Navy Band Bergen, Peter Szilvay | A Minor | 0 | 8A | 82 BPM | ||
Piano Trio in B Major, Op. 8: II. Scherzo. Allegro molto | Johannes Brahms, Paolo Ghidoni, Marco Perini, Ruggero Ruocco | A Major | 2 | 11B | 109 BPM | ||
String Quartet No. 1 in A Minor, Op. 41 No. 1: II. Scherzo. Presto | Robert Schumann, Quatuor Hanson | A Minor | 2 | 8A | 106 BPM |
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