"Piano Trio in A Minor, Op. 50, TH 117: Tema con variazioni, Variation XI: Moderato" by Pyotr Ilyich Tchaikovsky, Geneva Piano Trio was released on March 15, 2024. The duration of Piano Trio in A Minor, Op. 50, TH 117: Tema con variazioni, Variation XI: Moderato is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. Piano Trio in A Minor, Op. 50, TH 117: Tema con variazioni, Variation XI: Moderato's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Pyotr Ilyich Tchaikovsky, Geneva Piano Trio's "Geneva Piano Trio" album is number 13 out of 15. On top of that, France appears to be the country where this track was created. In terms of popularity, Piano Trio in A Minor, Op. 50, TH 117: Tema con variazioni, Variation XI: Moderato is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Piano Trio in A Minor, Op. 50, TH 117: Tema con variazioni, Variation XI: Moderato by Pyotr Ilyich Tchaikovsky, Geneva Piano Trio to be Andante (at a walking pace) because the track has a tempo of 91 BPM, a half-time of 46BPM, and a double-time of 182 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Swan Lake, Op. 20, TH 12: Pas de deux (Transcr. for Solo Violin and Chamber Orchestra) | Pyotr Ilyich Tchaikovsky, Daniel Hope, Zürcher Kammerorchester | C Minor | 0 | 5A | 96 BPM | ||
6 Nocturnes, Op. 186: Nocturne No. 6: Allegro moderato | Johann Wenzel Kalliwoda, Ashan Pillai, Michael Endres | D Minor | 0 | 7A | 126 BPM | ||
Spanish Dances, Op. 22: Danza espanola No. 4: Jota navarra, Op. 22, No. 2 | Pablo de Sarasate, Tianwa Yang, Markus Hadulla | G Major | 1 | 9B | 99 BPM | ||
ピエ・イエス | G. フォーレ, 池田昭子(オーボエ), 石田三和子(ピアノ) | B♭ Major | 0 | 6B | 172 BPM | ||
'Violetta', Fantasia for Violin and Piano from 'La Traviata' | Mario Castelnuovo-Tedesco, Francesca Dego, Francesca Leonardi | F Major | 2 | 7B | 117 BPM | ||
Humoresque in F Major, Op. 26 | William Henry Squire, Oliver Gledhill, Tadashi Imai | F Major | 2 | 7B | 157 BPM | ||
8 Nocturnes, Op. 368: No. 5, Allegretto grazioso e con anima | Carl Czerny, Roberte Mamou | E Major | 1 | 12B | 137 BPM | ||
Piano Trio in G Major, CD 5: II. Scherzo – Intermezzo. Moderato con allegro | Claude Debussy, Florestan Trio | A♭ Major | 1 | 4B | 118 BPM | ||
10 Pieces, Op. 24: 3. Caprice | Jean Sibelius, Håvard Gimse | E Minor | 1 | 9A | 62 BPM | ||
フランク:ヴァイオリン・ソナタ イ長調(第2楽章 Allegro) | César Franck, Fumiaki Miura, Nobuyuki Tsujii | F Minor | 2 | 4A | 95 BPM |
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