"Kol Nidrei, for Cello & Orchestra, Op. 47" by Max Bruch, Curdin Coray, Howard Griffiths, Royal Philharmonic Orchestra was released on 1992. Kol Nidrei, for Cello & Orchestra, Op. 47 appears to be safe for all ages as it is not explicit. The track order of this song in Max Bruch, Royal Philharmonic Orchestra, Howard Griffiths's "Max Bruch: Adagio - Canzone - Kol Nidrei - In Memoriam - Adagio Appassionato - Romanze" album is number 3 out of 6. Kol Nidrei, for Cello & Orchestra, Op. 47 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Kol Nidrei, for Cello & Orchestra, Op. 47 by Max Bruch, Curdin Coray, Howard Griffiths, Royal Philharmonic Orchestra to be Andante (at a walking pace) because the track has a tempo of 87 BPM, a half-time of 44BPM, and a double-time of 174 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM | ||
Piano Concerto No.2 In F Minor, Op.21: 3. Allegro vivace | Frédéric Chopin, Krystian Zimerman, Polish Festival Orchestra | B♭ Minor | 2 | 3A | 107 BPM | ||
Concerto in D Minor, Op.7, No.4: I. Adagio | George Frideric Handel, Academy of Ancient Music, Richard Egarr | D♭ Minor | 0 | 12A | 75 BPM | ||
Symphony No. 6 in B Minor, Op. 74 "Pathétique": II. Allegro con grazia | Pyotr Ilyich Tchaikovsky, Teodor Currentzis, musicAeterna | D Major | 2 | 10B | 66 BPM | ||
Ballade No. 3 in A Flat Major, Op. 47 | Frédéric Chopin, Seong-Jin Cho | A♭ Major | 1 | 4B | 67 BPM | ||
Souvenir d'un lieu cher, Op. 42: 1. Meditation | Pyotr Ilyich Tchaikovsky, Janine Jansen, Mahler Chamber Orchestra, Daniel Harding | B♭ Major | 1 | 6B | 114 BPM | ||
Haydn: Symphony No. 94 in G Major, Hob. I:94 "Surprise": IV. Finale. Allegro di molto | Franz Joseph Haydn, André Previn, Pittsburgh Symphony Orchestra | G Major | 2 | 9B | 140 BPM | ||
Double Concerto in E Minor, Op. 88: III. Allegro Molto | Max Bruch, Copenhagen Phil, Vincenzo Milletarí, Giovanni Punzi, Eva Katrine Dalsgaard | D♭ Major | 0 | 3B | 117 BPM | ||
Violin Concerto in B Minor, Op. 3 No. 10, RV. 580: I. Allegro | Yehudi Menuhin | C Major | 2 | 8B | 74 BPM | ||
Rubinstein / Arr. Popper: Melody in F Major, Op. 3 No. 1 | Anton Rubinstein, Taeguk Mun, Chi Ho Han | F Major | 1 | 7B | 93 BPM |
Section: 0.8052802085876465
End: 0.8091750144958496