Nicol Matt, Ute Petersilge, Heike Hümmer, Johann Sebastian Bach, Soloists Of The Freiburger Barockorchester, Martina Rotbauer, Jens Wollenschläger, Nordic Chamber Choir, Robert Sagasser, Jörg Halobek made "Christ Lag In Todesbanden Bwv 278" available on March 28, 2007. With Christ Lag In Todesbanden Bwv 278 being less than two minutes long, at 1:04, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 8 out of 201 in Bach Edition Vol. 23, Chor by Nicol Matt. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. In terms of popularity, Christ Lag In Todesbanden Bwv 278 is currently not that popular. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Christ Lag In Todesbanden Bwv 278 by Nicol Matt, Ute Petersilge, Heike Hümmer, Johann Sebastian Bach, Soloists Of The Freiburger Barockorchester, Martina Rotbauer, Jens Wollenschläger, Nordic Chamber Choir, Robert Sagasser, Jörg Halobek is Andante (at a walking pace), since this song has a tempo of 90 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Stabat Mater: III. Quis est home | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Requiem: Requiem: XIII. 12. Coro. Lacrimosa | Johann Christian Bach, RIAS Kammerchor, Akademie für Alte Musik Berlin, Hans-Christoph Rademann | C Major | 2 | 8B | 77 BPM | ||
Missa Dolorosa: VI. Agnus Dei | Antonio Caldara, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Christ lag in Todesbanden: Versus I | Johann Pachelbel, Beate Spaltner, Nils Giebelhausen, Wolf Matthias Friedrich, Jurgen Banholzer, Hermann Oswald, Balthasar-Neumann-Chor, Balthasar-Neumann-Ensemble, Thomas Hengelbrock | D Minor | 3 | 7A | 109 BPM | ||
Christ, Unser Herr, Zum Jordan Kam, Cantate Bwv 176 | Nicol Matt, Johann Sebastian Bach, Martina Rotbauer, Nordic Chamber Choir, Soloists Of The Freiburger Barockorchester, Robert Sagasser, Jörg Halobek, Heike Hümmer, Jens Wollenschläger, Ute Petersilge | F♯ Minor | 1 | 11A | 73 BPM | ||
Dixit Dominus, ZWV 66: Sicut erat in principio - After Psalm 109 | Jan Dismas Zelenka, Adam Viktora, Inégal Ensemble, Prague Baroque Solists | A♭ Major | 2 | 4B | 61 BPM | ||
Symphony No. 5 in D Major, Op. 2, "St. Cecilia's Day Ode": II. Tempo di Gavotta | William Boyce, Aradia Ensemble, Kevin Mallon | D♭ Major | 1 | 3B | 131 BPM | ||
Concerto à 5 in B-Flat Major for Oboe and Strings, Op. 9 No. 11: III. Allegro | Tomaso Albinoni, Stefan Schilli, Stuttgart Chamber Orchestra, Nicol Matt | C Major | 3 | 8B | 103 BPM | ||
I. Herz Und Mund Und Tat Und Leben BWV 147, Prima Parte, 1. Coro: Herz Und Mund Und Tat Und Leben | Pieter Jan Leusink, Holland Boys Choir, Netherlands Bach Collegium, Susan Williams, Peter Frankenberg, Eduard Wesley, Bas Ramselaar, Johann Sebastian Bach, Sytse Buwalda, Knut Schoch, Ruth Holton | B Major | 3 | 1B | 90 BPM | ||
Three Quartets for Soprano, Alto, Tenor, Bass and Piano, Op. 64: No. 1, An die Heimat | Johannes Brahms, Jürgen Meier, Friederike Haug, Chamber Choir Of Europe, Nicol Matt | F Minor | 1 | 4A | 137 BPM |
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