On 2006, the song "Concerto à 5 in B-Flat Major for Oboe and Strings, Op. 9 No. 11: III. Allegro" was released by Tomaso Albinoni, Stefan Schilli, Stuttgart Chamber Orchestra, Nicol Matt. The duration of Concerto à 5 in B-Flat Major for Oboe and Strings, Op. 9 No. 11: III. Allegro is about 3 minutes long, at 3:20. Based on our data, "Concerto à 5 in B-Flat Major for Oboe and Strings, Op. 9 No. 11: III. Allegro" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 27 out of 60 in Albinoni: Complete Oboe Concertos by Tomaso Albinoni, Stefan Schilli, Giovanni Deangeli, Tanja Becker-Bender, Stuttgart Chamber Orchestra, European Chamber Soloists, Nicol Matt. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. In terms of popularity, Concerto à 5 in B-Flat Major for Oboe and Strings, Op. 9 No. 11: III. Allegro is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Concerto à 5 in B-Flat Major for Oboe and Strings, Op. 9 No. 11: III. Allegro by Tomaso Albinoni, Stefan Schilli, Stuttgart Chamber Orchestra, Nicol Matt is Andante (at a walking pace), since this song has a tempo of 103 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
I. Overture: II. Rondo | Henry Purcell, Raymond Leppard, English Chamber Orchestra | D Minor | 3 | 7A | 100 BPM | ||
12 Concerti Grossi, Op. 6, No. 8 in G Minor "Fatto per la notte di Natale": V. Allegro & VI. Largo. Pastorale ad libitum | Arcangelo Corelli, Karol Teutsch, Orchestre Leopoldinum-wroclaw | G Major | 1 | 9B | 117 BPM | ||
Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | ||
Overture in G Major, TWV 55:10 "Burlesque de Quixotte": Ses soupirs amoureux après la Princesse Dulcinée | Georg Philipp Telemann, Collegium Instrumentale Brugense, Patrick Peire | G Major | 0 | 9B | 117 BPM | ||
Sinfonia In D Major, Wq. 183/1, H. 663 : II. Largo | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | F Major | 0 | 7B | 133 BPM | ||
Sonata in E Major, K. 380 | Domenico Scarlatti, Khatia Buniatishvili | B Major | 0 | 1B | 84 BPM | ||
Diverse bizzarrie sopra la Vecchia Sarabanda ò pur Ciaccona | Nicola Matteis, Gli Incogniti, Amandine Beyer | B Major | 3 | 1B | 79 BPM | ||
Solomon, HWV 67: Sinfonia "Arrival of the Queen of Sheba" | George Frideric Handel, Raymond Leppard, English Chamber Orchestra | B♭ Major | 3 | 6B | 119 BPM | ||
Intermedes de Xerxes: Bourre pour les Basques | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 140 BPM | ||
Albinoni, Giazotto: Adagio in G Minor (Arr. for Trumpet and Organ) | Tomaso Albinoni, Maurice André, Jane Parker-Smith | C Minor | 1 | 5A | 80 BPM |
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