Richard Wagner, Set Svanholm, Peter Markwort, Josef Herrmann, Alois Pernerstorfer, Ludwig Weber, Elisabeth Höngen, Kirsten Flagstad, Julia Moor, Orchestra Del Teatro Alla Scala, Milano, Wilhelm Furtwängler made "Siegfried: Act III Scene 3: Heil dir, Sonne! Heil dir, Licht! (Brunnhilde, Siegfried)" available on July 3, 2012. With this song being around four minutes long, at 4:18, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Wilhelm Furtwangler Conducts Richard Wagner's Der Ring des Nibelungen (Milan 1950) by Richard Wagner, Wilhelm Furtwängler. The song's track number on the album is #17 out of 259 tracks. Based on our data, United States was the country where this track was produced or recorded. Siegfried: Act III Scene 3: Heil dir, Sonne! Heil dir, Licht! (Brunnhilde, Siegfried) is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Since Siegfried: Act III Scene 3: Heil dir, Sonne! Heil dir, Licht! (Brunnhilde, Siegfried) by Richard Wagner, Set Svanholm, Peter Markwort, Josef Herrmann, Alois Pernerstorfer, Ludwig Weber, Elisabeth Höngen, Kirsten Flagstad, Julia Moor, Orchestra Del Teatro Alla Scala, Milano, Wilhelm Furtwängler has a tempo of 80 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Siegfried: Act III Scene 3: Heil dir, Sonne! Heil dir, Licht! (Brunnhilde, Siegfried) being at 80 BPM, the half-time would be 40 BPM with a double-time of 160 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Capriccio Espagnol: Alborada | Nikolai Rimsky-Korsakov, London Philharmonic Orchestra, Alexander Lazarev, Joakim Svenheden | A Major | 4 | 11B | 126 BPM | ||
Sibelius: Symphony No. 7 in C Major, Op. 105: I. Adagio | Jean Sibelius, Royal Philharmonic Orchestra, Sir Thomas Beecham | C Major | 2 | 8B | 75 BPM | ||
Symphony No.4 in D Minor, Op.13, B.41: 3. Scherzo (Allegro feroce) | Antonín Dvořák, London Symphony Orchestra, István Kertész | C Major | 2 | 8B | 115 BPM | ||
War Requiem, Op. 66 / Dies irae: IIa. Dies irae | Benjamin Britten, London Symphony Chorus, The Bach Choir, London Symphony Orchestra | G Major | 1 | 9B | 81 BPM | ||
Romeo and Juliet, Op. 64 - Act 1: The Quarrel | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | B Minor | 4 | 10A | 91 BPM | ||
Wagner: Tannhäuser, Act 3: "Wie Todesahnung … O du, mein holder Abendstern" (Wolfram) | Richard Wagner, Dietrich Fischer-Dieskau, Orchester Der Staatsoper Berlin, Franz Konwitschny, Staatsopernorchester Berlin | C Minor | 3 | 5A | 133 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 12. B.G.N. (Andante) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | B♭ Major | 0 | 6B | 82 BPM | ||
Khachaturian: Spartacus (Highlights from the Ballet): Adagio of Spartacus and Phrygia | Aram Khachaturian, London Symphony Orchestra | A♭ Major | 1 | 4B | 88 BPM | ||
"Pomp and Circumstance," Op.39: March, No.2 In A Minor | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | B Minor | 2 | 10A | 132 BPM | ||
Prince Igor, Act II: Polovtsian Dances, Dance I | Alexander Borodin, Paavo Järvi, Orchestre Philharmonique de Radio France | F Major | 1 | 7B | 97 BPM |
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