"Nahoko (The Encounter) - from 'The Wind Rises'" by Joe Hisaishi, Royal Philharmonic Orchestra was released on June 30, 2023. With Nahoko (The Encounter) - from 'The Wind Rises' being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 15 out of 29 in A Symphonic Celebration - Music from the Studio Ghibli Films of Hayao Miyazaki by Joe Hisaishi, Royal Philharmonic Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from Japan. Based on our statistics, Nahoko (The Encounter) - from 'The Wind Rises''s popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Nahoko (The Encounter) - from 'The Wind Rises' by Joe Hisaishi, Royal Philharmonic Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 136 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Waltz No. 1 in B Minor, Collapse | Hikaru Shirosu | B Minor | 1 | 10A | 168 BPM | ||
Hiraku | Umitaro Abe | D Major | 2 | 10B | 103 BPM | ||
How Far I'll Go - From "Moana" | Royal Philharmonic Orchestra | E Major | 3 | 12B | 84 BPM | ||
The Editing Room in Sunset | Satoshi Takebe | D Major | 3 | 10B | 114 BPM | ||
Giselle / Act 2: Grand pas de deux: Adage | Adolphe Adam, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | E♭ Major | 0 | 5B | 73 BPM | ||
Sicilienne, Op. 78 | Gabriel Fauré, Harriet Krijgh, Kamilla Isanbaeva | E♭ Major | 1 | 5B | 123 BPM | ||
I'm Called Little Buttercup (from "H.M.S. Pinafore") | William Schwenck Gilbert, Arthur Sullivan, Jean Allister, James Walker, Royal Philharmonic Orchestra | F Major | 7 | 7B | 168 BPM | ||
Carnaval, Op. 9: No. 12. Chopin | Robert Schumann, Boris Giltburg | C Major | 1 | 8B | 77 BPM | ||
A Journey (A Kingdom of Dreams) | Joe Hisaishi | D Major | 2 | 10B | 74 BPM | ||
I Live on the Shore of Yangtze River (arr. for orchestra) | Yomiuri Nippon Symphony Orchestra | C Major | 2 | 8B | 89 BPM |
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