Enrique Granados, Shlomo Mintz, Clifford Benson's 'Spanish dance - Arr. Fritz Kreisler: 5. Andaluza (Arr. Kreisler for Violin and Piano)' came out on January 1, 2012. The duration of Spanish dance - Arr. Fritz Kreisler: 5. Andaluza (Arr. Kreisler for Violin and Piano) is about 3 minutes long, at 3:25. Based on our data, "Spanish dance - Arr. Fritz Kreisler: 5. Andaluza (Arr. Kreisler for Violin and Piano)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 15 out of 42 in A Tribute to Fritz Kreisler by Christian Ferras, Jascha Heifetz, Fritz Kreisler, Gidon Kremer, Shlomo Mintz, Anne-Sophie Mutter, David Oistrakh, Ruggiero Ricci. In terms of popularity, Spanish dance - Arr. Fritz Kreisler: 5. Andaluza (Arr. Kreisler for Violin and Piano) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Spanish dance - Arr. Fritz Kreisler: 5. Andaluza (Arr. Kreisler for Violin and Piano) by Enrique Granados, Shlomo Mintz, Clifford Benson is Andante (at a walking pace), since this song has a tempo of 100 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Abdelazar Suite, Z. 570: VI. Air | Henry Purcell, Camerata Nordica, Terje Tonnesen | G Minor | 2 | 6A | 131 BPM | ||
Jeux d'enfants, Op. 22 WD 56: 3. La poupée | Georges Bizet, Katia Labèque, Marielle Labèque | B Major | 0 | 1B | 64 BPM | ||
A Collection of Old Scots Tunes: Busk ye busk ye my bonny bride (Arr. by Söllscher) | Francesco Barsanti, Jian Wang, Göran Söllscher | D Major | 0 | 10B | 55 BPM | ||
Messiah, HWV 56, Part I: Pastoral Symphony, "Pifa" (arr. L. Stokowski) | George Frideric Handel, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | C Major | 0 | 8B | 92 BPM | ||
12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano) | Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason | A Major | 1 | 11B | 89 BPM | ||
Música callada, Book 1: No. 3, Placide | Federico Mompou, Lilit Grigoryan | B♭ Major | 1 | 6B | 70 BPM | ||
Piano Quintet in A Major, Op. 81, B. 155: II. Dumka (Arr. P. Breiner for Piano) | Antonín Dvořák, Peter Breiner | B Minor | 0 | 10A | 71 BPM | ||
Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) "Venetian Gondola Song", MWV U78 | Felix Mendelssohn, Jan Lisiecki | G Minor | 0 | 6A | 168 BPM | ||
Waltz No. 1 in E-Flat Major, Op. 83 | Marie Auguste Durand, Janos Balint, Nora Mercz | E♭ Major | 0 | 5B | 93 BPM | ||
Torrijos: Tableau III. Marcha | Enrique Granados, Cor Madrigal, Barcelona Symphony Orchestra, Pablo González | E Major | 0 | 12B | 108 BPM |
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