"Die Walküre, WWV 86B / Act 3: Ride Of The Valkyries" by David Measham, West Australian Symphony Orchestra was released on 2009. With this song being about 5 minutes long, at 4:59, "Die Walküre, WWV 86B / Act 3: Ride Of The Valkyries" by David Measham, West Australian Symphony Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Various Artists's "My First Orchestra Album" album is number 11 out of 22. In terms of popularity, Die Walküre, WWV 86B / Act 3: Ride Of The Valkyries is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Die Walküre, WWV 86B / Act 3: Ride Of The Valkyries by David Measham, West Australian Symphony Orchestra to be Andante (at a walking pace) because the track has a tempo of 95 BPM, a half-time of 48BPM, and a double-time of 190 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Soirees musicales, Op. 9: V. Tarantella | Benjamin Britten, Helsingborg Symphony Orchestra, Okko Kamu | B♭ Major | 2 | 6B | 80 BPM | ||
Debussy / Orch. Büsser: Printemps, L. 68: I. Très Modéré | Claude Debussy, Michel Plasson, Philippe Alègre, Martine Laure, Orchestre Du Capitole De Toulouse | D♭ Major | 2 | 3B | 84 BPM | ||
Les biches Suite, FP 36b: III. Rag-Mazurka | Francis Poulenc, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | G Minor | 1 | 6A | 80 BPM | ||
Morceau de Concert, Op. 94 for Horn and Orchestra: 1. Allegro moderato | Camille Saint-Saëns, Hermann Baumann, Gewandhausorchester, Kurt Masur | F Minor | 0 | 4A | 116 BPM | ||
Spartacus, Act II: Parting of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | E Major | 2 | 12B | 123 BPM | ||
Othello, Op. 79: II. Children's Intermezzo | Samuel Coleridge-Taylor, RTE Concert Orchestra, Adrian Leaper | F Major | 0 | 7B | 113 BPM | ||
Die Meistersinger von Nürnberg: Vorspiel/Prelude/Prélude (Orchester) | Richard Wagner, Bavarian State Orchestra, Wolfgang Sawallisch | A♭ Major | 1 | 4B | 91 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: IV. Finale: Allegro guerriero | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 97 BPM | ||
Como en las Grandes Citas | Asklepios | A Minor | 4 | 8A | 90 BPM | ||
Les danses polovtsiennes (Extraits de l'opéra Le Prince Igor): V. Danse finale | Alexander Borodin, Anima Eterna, Jos Van Immerseel | D Major | 2 | 10B | 104 BPM |
Section: 0.6958904266357422
End: 0.7024531364440918