Wolfgang Amadeus Mozart, Academy of St. Martin in the Fields, Sir Neville Marriner made "Symphony in G "Neue Lambacher", K.deest: 4. Allegro" available on January 1, 1996. With this song being about 5 minutes long, at 4:45, "Symphony in G "Neue Lambacher", K.deest: 4. Allegro" by Wolfgang Amadeus Mozart, Academy of St. Martin in the Fields, Sir Neville Marriner is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Wolfgang Amadeus Mozart, Academy of St. Martin in the Fields, Sir Neville Marriner, Concertgebouworkest, Josef Krips's "Mozart: Complete Symphonies" album is number 4 out of 184. On top of that, Netherlands appears to be the country where this track was created. Symphony in G "Neue Lambacher", K.deest: 4. Allegro is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Symphony in G "Neue Lambacher", K.deest: 4. Allegro by Wolfgang Amadeus Mozart, Academy of St. Martin in the Fields, Sir Neville Marriner to be Adagio (slowly with great expression) because the track has a tempo of 74 BPM, a half-time of 37BPM, and a double-time of 148 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
The music key of this track is B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for 2 Oboes in C Major, Op. 7, No. 2: II. Adagio | Tomaso Albinoni, Anthony Camden, Alison Alty, London Virtuosi, John Georgiadis | B♭ Minor | 0 | 3A | 79 BPM | ||
Symphony No. 49 in F Major: III. Presto ma non troppo | Christian Cannabich, Nicolaus Esterhazy Sinfonia, Uwe Grodd | F Major | 2 | 7B | 80 BPM | ||
Das listige Bauernmädchen: No. 14, Tempo di marcia | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | D Major | 1 | 10B | 92 BPM | ||
Scarlatti, D: Keyboard Sonata in D Major, Kk. 118 | Domenico Scarlatti, Christian Zacharias | B♭ Major | 2 | 6B | 158 BPM | ||
Keyboard Concerto No. 7 in G Minor, BWV 1058: I. ? | Johann Sebastian Bach, Murray Perahia, Academy of St. Martin in the Fields | F Major | 3 | 7B | 127 BPM | ||
Violin Sonata No. 24 in F Major, K. 376 (arr. P. Gallois for flute and piano): II. Andante | Patrick Gallois, Wolfgang Amadeus Mozart, Maria Prinz | B♭ Major | 0 | 6B | 112 BPM | ||
Oboe Concerto in D Minor, Op. 8, No. 9, RV 454: III. Allegro | Antonio Vivaldi, Stefan Schilli, Geoffrey Thomas, Judit Kiss-Domonkos, Budapest Failoni Chamber Orchestra, Béla Nagy | C Major | 2 | 8B | 125 BPM | ||
Symphony No.8 G Major HOB 1-8 'Le Soir': Andante | I Musici Di San Marco, Alberto Lizzio | G Major | 0 | 9B | 101 BPM | ||
La bergère châtelaine, S. 5 (Excerpts): Entr'acte to Act III | Daniel Auber, Czech Philharmonic Chamber Orchestra, Dario Salvi | B♭ Major | 1 | 6B | 127 BPM | ||
Sinfonia In G Major, Wq. 183/4, H. 666: III. Presto | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | A Minor | 2 | 8A | 80 BPM |
Section: 0.5261240005493164
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