"Concerto for 2 Oboes in C Major, Op. 7, No. 2: II. Adagio" by Tomaso Albinoni, Anthony Camden, Alison Alty, London Virtuosi, John Georgiadis was released on November 8, 1995. The duration of Concerto for 2 Oboes in C Major, Op. 7, No. 2: II. Adagio is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. Concerto for 2 Oboes in C Major, Op. 7, No. 2: II. Adagio's duration is considered a little bit shorter than the average duration of a typical track. The song is number 11 out of 18 in Albinoni: Oboe Concertos, Vol. 3 by Tomaso Albinoni. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Concerto for 2 Oboes in C Major, Op. 7, No. 2: II. Adagio is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concerto for 2 Oboes in C Major, Op. 7, No. 2: II. Adagio by Tomaso Albinoni, Anthony Camden, Alison Alty, London Virtuosi, John Georgiadis is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto in G Minor: III. Allegro | Johann Friedrich Fasch, Combattimento Consort Amsterdam, Han De Vries | G Minor | 1 | 6A | 136 BPM | ||
Oboe Concerto in E-Flat Major, Wq. 165, H. 468: II. Adagio ma non troppo | Carl Philipp Emanuel Bach, Jozsef Kiss, Budapest Ferenc Erkel Chamber Orchestra | C Minor | 1 | 5A | 92 BPM | ||
Flute Sonata in E Minor: III. Presto | Frederick the Great, Berliner Barock Compagney | A♭ Minor | 1 | 1A | 128 BPM | ||
Concerto for Flute, English Horn, Strings and B.c. "Amabile baltà": Adagio e staccato (from Organconcerto op.4,2, HWV 209) | George Frideric Handel, Albrecht Mayer, Sinfonia Varsovia, Matthieu Gauci-Ancelin, Jakub Haufa, Monika Razynska | C Minor | 2 | 5A | 138 BPM | ||
Oboe Concerto in C Major, Op. 9 No. 5: III. Allegro | London Harpsichord Ensemble, Sarah Francis | C Major | 3 | 8B | 99 BPM | ||
Largo (Concierto Para Mandolina Do Mayor) | Cámara de la Escala De Milan | A♭ Minor | 2 | 1A | 93 BPM | ||
Concierto Para Dos Oboes, 2 Trompas, Violin, Bajos Y Organo En Fa Mayor Rv 571. Largo | Filarmónica Y Coro De Praga | A Major | 0 | 11B | 131 BPM | ||
Trio Sonata No. 4 in C Major, DürG 13 (Attrib. J.S. Bach as BWV 1037): I. Adagio | Johann Gottlieb Goldberg, London Baroque | D Major | 0 | 10B | 87 BPM | ||
Concerto Grosso In B Flat Major, Op. 6, No. 11: V. Sarabanda: Largo | Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella Istropolitana | D♭ Major | 1 | 3B | 118 BPM | ||
Flute Sonata in A Minor, Wq. 132, H. 562 (arr. for oboe): I. Poco adagio | Anonymous, Carl Philipp Emanuel Bach, Jozsef Kiss, Budapest Ferenc Erkel Chamber Orchestra | C Major | 0 | 8B | 84 BPM |
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