Jan Dismas Zelenka, Joanne Lunn, Daniel Taylor, Johannes Kaleschke, Thomas E. Bauer, Kammerchor Stuttgart, Barockorchester Stuttgart, Frieder Bernius made "Votiva in E Minor, ZWV 18: Gloria. Gloria in excelsis Deo (Soprano, Alto, Tenor, Bass, Chorus)" available on July 27, 2010. With this song being around four minutes long, at 4:10, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Zelenka: Missa votiva by Jan Dismas Zelenka, Frieder Bernius. The song's track number on the album is #5 out of 20 tracks. Based on our statistics, Votiva in E Minor, ZWV 18: Gloria. Gloria in excelsis Deo (Soprano, Alto, Tenor, Bass, Chorus)'s popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Since Votiva in E Minor, ZWV 18: Gloria. Gloria in excelsis Deo (Soprano, Alto, Tenor, Bass, Chorus) by Jan Dismas Zelenka, Joanne Lunn, Daniel Taylor, Johannes Kaleschke, Thomas E. Bauer, Kammerchor Stuttgart, Barockorchester Stuttgart, Frieder Bernius has a tempo of 125 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Votiva in E Minor, ZWV 18: Gloria. Gloria in excelsis Deo (Soprano, Alto, Tenor, Bass, Chorus) being at 125 BPM, the half-time would be 62 BPM with a double-time of 250 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 3/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
St. John Passion, BWV 245: No. 16, Da führeten sie Jesum | Johann Sebastian Bach, James Gilchrist, Christian Immler, Yusuke Watanabe, Bach Collegium Japan, Masaaki Suzuki | D Major | 2 | 10B | 80 BPM | ||
Missa Divi Xaverii, ZWV 12: Gloria in excelsis Deo | Jan Dismas Zelenka, Collegium Vocale 1704, Collegium 1704, Vaclav Luks | F Minor | 1 | 4A | 125 BPM | ||
Christ lag in Todesbanden, BWV 4: I. Sinfonia | Johann Sebastian Bach, Vox Luminis, Lionel Meunier | E Minor | 0 | 9A | 108 BPM | ||
Dies irae, LWV 64/1: Liber scriptus proferetur | Jean-Baptiste Lully, Chœur De Chambre De Namur, Millenium Orchestra, Cappella Mediterranea, Leonardo García-Alarcón, Sophie Junker, Judith van Wanroij, Matthias Vidal, Thibaut Lenaerts, Alain Buet | E Major | 4 | 12B | 120 BPM | ||
Oratorio a 4 voci: “Tutti son del materno mio seno” | Leonardo Vinci, Andreas Scholl, Accademia Bizantina, Alessandro Tampieri | E Minor | 1 | 9A | 99 BPM | ||
Capriccio in A Major, ZWV 185: III. Aria | Jan Dismas Zelenka, Neu-Eroffnete Orchestre, Das, Jurgen Sonnentheil | A♭ Major | 1 | 4B | 106 BPM | ||
Overture In G Minor: I. Ouverture | Johann Bernhard Bach, Ensemble Masques | G Major | 1 | 9B | 128 BPM | ||
Mondonville: In exitu Israel: II. Chœur. "Mare vidit" | Jean-Joseph Cassanéa De Mondonville, Emmanuelle Haïm | F Major | 2 | 7B | 119 BPM | ||
Deborah HWV 51, Act I: In the Battle | George Frideric Handel, La Sfera Armoniosa, Oscar Verhaar, Mike Fentross | B Major | 3 | 1B | 181 BPM | ||
6 Trio Sonatas, ZWV 181, No. 1 in F Major: I. Adagio ma non troppo | Jan Dismas Zelenka, Ensemble Berlin Prag, Dominik Wollenweber, Vilem Veverka, Mor Biron, Barbara Maria Willi, Ulrich Wolff | A♭ Minor | 1 | 1A | 93 BPM |
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