Maria Callas made "Maria by Callas - Bonus Track" available on December 13, 2017. With Maria by Callas - Bonus Track being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Various Artists's "Maria by Callas (Bande originale du film)" album is number 27 out of 27. In terms of popularity, Maria by Callas - Bonus Track is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Maria by Callas - Bonus Track by Maria Callas to be Andante (at a walking pace) because the track has a tempo of 93 BPM, a half-time of 46BPM, and a double-time of 186 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cavalleria rusticana: "Beato voi, compar Alfio...Inneggiamo, Il Signor" | Pietro Mascagni, Ida Bormida, Piero Cappuccilli, Julia Varady, The London Opera Chorus, National Philharmonic Orchestra, Gianandrea Gavazzeni | G Major | 2 | 9B | 68 BPM | ||
Gianni Schicchi: "O mio babbino caro" | Maria Callas | A♭ Major | 1 | 4B | 80 BPM | ||
Verdi: La traviata, Act 1: Brindisi. "Libiamo ne'lieti calici" (Alfredo, Violetta, Coro) | Giuseppe Verdi, Maria Callas, Coro Cetra, Francesco Albanese, Gabriele Santini, Orchestra Sinfonica Di Torino Della Rai | B♭ Major | 2 | 6B | 195 BPM | ||
La Wally / Act 1: Ebben? Ne andrò lontana | Alfredo Catalani, Renée Fleming, London Philharmonic Orchestra, Sir Charles Mackerras | E Minor | 1 | 9A | 73 BPM | ||
Les Pecheurs De Perles: Je Crois Entendre Encore | Alfredo Kraus, Georges Bizet, Nicola Rescigno, Orquesta Manuel de Falla | A Minor | 1 | 8A | 81 BPM | ||
Verdi: Otello, Act 4: "Ave Maria" (Desdemona) | Giuseppe Verdi, Maria Callas, Nicola Rescigno, Orchestre De La Société Des Concerts Du Conservatoire | A♭ Major | 1 | 4B | 88 BPM | ||
Les Pêcheurs de perles: Je crois entendre encore (Nadir) | Georges Bizet, Nicolai Gedda, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique, Orchestre Du Theatre National De L'opera-comique | A Minor | 1 | 8A | 88 BPM | ||
Thaïs / Acte Trois: C'est toi, mon père | Jules Massenet, Renée Fleming, Thomas Hampson, Orchestre National Bordeaux Aquitaine, Yves Abel | D Major | 2 | 10B | 94 BPM | ||
Wagner: Parsifal, WWV 111, Act 2: "Vien, vien, mio bel damo" (Flowermaidens, Parsifal) [Live] | Richard Wagner, Maria Callas, Africo Baldelli, Anna Maria Canali, Liliana Rossi, Lina Pagliughi, Miti Truccato Pace, Renata Broilo, Silvana Tenti, Vittorio Gui, Orchestra di Roma della RAI | A♭ Major | 2 | 4B | 66 BPM | ||
Bizet: Carmen, Act 1: "L'amour est un oiseau rebelle" (Carmen, Chorus) | Georges Bizet, Sir Thomas Beecham, French National Radio Orchestra | G Major | 1 | 9B | 107 BPM |
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