Hipolito Lazaro made "A te, o cara, amor talora (I Puritani)" available on August 29, 2006. With this song being around four minutes long, at 3:44, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Hipolito Lazaro's "Lebendige Vergangenheit - Hipolito Lazaro" album is number 1 out of 22. On top of that, Austria appears to be the country where this track was created. In terms of popularity, A te, o cara, amor talora (I Puritani) is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of A te, o cara, amor talora (I Puritani) by Hipolito Lazaro to be Moderato (at a moderate speed) because the track has a tempo of 110 BPM, a half-time of 55BPM, and a double-time of 220 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Pêcheurs de perles: Act III: L'orage s'est calmé...O Nadir (Zurga) | Georges Bizet, Ernest Blanc/Orchestre du Théâtre National de I'Opéra-Comique/Pierre Dervaux, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique, Orchestre Du Theatre National De L'opera-comique | D Major | 1 | 10B | 92 BPM | ||
Donizetti: Lucia di Lammermoor, Act 2: "Appressati, Lucia" (Enrico) | Gaetano Donizetti, Tullio Serafin, Tito Gobbi, Orchestra del Maggio Musicale Fiorentino | C Major | 0 | 8B | 72 BPM | ||
Donizetti: Lucia di Lammermoor, Act 1: "Regnava nel silenzio alta la notte e bruna" (Lucia, Alisa) | Gaetano Donizetti, Maria Callas, Anna Maria Canali, Orchestra del Maggio Musicale Fiorentino, Tullio Serafin | D Major | 1 | 10B | 169 BPM | ||
Carmen - Il Fior Che Avevi Ame Tu Dato | Miguel Fleta | D♭ Major | 2 | 3B | 82 BPM | ||
Costas de Bretaña - La Tempestad | Hipolito Lazaro | A Major | 1 | 11B | 129 BPM | ||
La traviata: "Addio del passato" | Parma Brass Quintet | A Minor | 2 | 8A | 95 BPM | ||
Cherubini: Medea, Act 3: "Neris, che hai fatto" (Medea, Neris) | Luigi Cherubini, Maria Callas, Miriam Pirazzini, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | D Minor | 1 | 7A | 93 BPM | ||
Armies of the Gods | Paul Edward-Francis | D Major | 0 | 10B | 91 BPM | ||
El Pájaro Azul, Acto I: Cual Ruiseñor Canta En Libertad... (Fado) - Remastered | Antonio Lopez Monis, Rafael Millán, Marcos Redondo | G Major | 2 | 9B | 72 BPM | ||
Vous n'aurez pas l'Alsace et la Lorraine | Vive la France | D Major | 3 | 10B | 114 BPM |
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