Gerald Barry, Hilary Summers, Barbara Hannigan, Benjamin Bevan, Birmingham Contemporary Music Group, Thomas Adès's ' "The Importance of Being Earnest, Act II: Freude, schöner Götterfunken (Live)" was released on its scheduled release date, November 4, 2014. The duration of This song is about 3 minutes long, at 3:18. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Gerald Barry, Barbara Hannigan, Peter Tantsits, Katalin Károlyi, Joshua Bloom, Birmingham Contemporary Music Group, Thomas Adès's "Gerald Barry: The Importance of Being Earnest (Live)" album is number 14 out of 37. On top of that, United Kingdom appears to be the country where this track was created. The Importance of Being Earnest, Act II: Freude, schöner Götterfunken (Live) is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of The Importance of Being Earnest, Act II: Freude, schöner Götterfunken (Live) by Gerald Barry, Hilary Summers, Barbara Hannigan, Benjamin Bevan, Birmingham Contemporary Music Group, Thomas Adès to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
St. Paul's Suite Op. 29/2: Jig | Gustav Holst, Ross Pople | G Major | 1 | 9B | 74 BPM | ||
Preludes, Book 1: No. 10: La cathedrale engloutie | Claude Debussy, François-Joël Thiollier | C Major | 0 | 8B | 65 BPM | ||
Le Sacre du Printemps - Revised version for Orchestra (published 1947) / Part 1: The Adoration of the Earth: The Augurs of Spring: Dances of the Young Girls | Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan | A♭ Minor | 3 | 1A | 104 BPM | ||
Dance Works (Pt. 4) | Steve Martland, Gordon McPherson, Gerald Barry, Hanna Kulenty, Orkest De Volharding, Jurjen Hempel | B Minor | 7 | 10A | 96 BPM | ||
Borodin: Nocturne from String Quartet in Dmaj | Alexander Borodin, RTÉ Vanbrugh Quartet | A Major | 1 | 11B | 87 BPM | ||
Pushkin's Garland: Reveille | Georgy Sviridov, Vladimir Minin, Moscow Chamber Choir | D♭ Major | 0 | 3B | 103 BPM | ||
Carnival of the Animals, R. 125: Introduction and Royal March of the Lion | Camille Saint-Saëns, Philippe Entremont, Gaby Casadesus, Yo-Yo Ma | G Major | 2 | 9B | 90 BPM | ||
Shostakovich: Cello Concerto No. 1 in E-Flat Major, Op. 107: I. Allegretto | Dmitri Shostakovich, Gautier Capuçon, Valery Gergiev, Mariinsky Orchestra | A♭ Major | 2 | 4B | 117 BPM | ||
Trio for Oboe, Bassoon and Piano: 1. Presto | Francis Poulenc, Hansjorg Schellenberger, Milan Turkovic, James Levine | E Major | 1 | 12B | 96 BPM | ||
The Planets, Op. 32: II. Venus, the Bringer of Peace | Gustav Holst, London Symphony Orchestra, Sir Colin Davis | A♭ Major | 0 | 4B | 83 BPM |