"Elegia (arr. L. Lencses): Elegia" by Lajos Lencsés, Nino Rota, Stuttgart Arcata Chamber Orchestra, Patrick Strub was released on January 1, 2000. The duration of Elegia (arr. L. Lencses): Elegia is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Elegia (arr. L. Lencses): Elegia's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 15 in the song's album "Oboe Italiano". In this album, this song's track order is #11. Furthermore, we believe that the track originated from Germany. Elegia (arr. L. Lencses): Elegia is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Elegia (arr. L. Lencses): Elegia by Lajos Lencsés, Nino Rota, Stuttgart Arcata Chamber Orchestra, Patrick Strub having a BPM of 64 with a half-time of 32 BPM and a double-time of 128 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gli uccelli, P. 154: III. La gallina | Ottorino Respighi, Orchestre Philharmonique Royal de Liège, John Neschling | D Major | 1 | 10B | 173 BPM | ||
Das Waldmädchen: No. 9, Allegro | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | F Major | 1 | 7B | 100 BPM | ||
Divertimento in A Major: IV. Tempo di Menuetto con Variazioni | Joseph Haydn, Lajos Lencsés, Auer String Quartet | G Major | 1 | 9B | 141 BPM | ||
Overture in D Major, Op. 8, No. 4: II. Un poco andante | Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon | G Major | 0 | 9B | 165 BPM | ||
Lamento: Andante con moto | Clémence de Grandval, Lajos Lencsés, Ansgar Schneider, Budapest Strings | F Minor | 0 | 4A | 100 BPM | ||
Oboe Concert, Op. 7: I. Allegro moderato | Clémence de Grandval, Lajos Lencsés, Stuttgart Radio Symphony Orchestra, Andrey Boreyko | F Major | 1 | 7B | 118 BPM | ||
Concerto for Oboe d'Amore, Strings & Continuo in D Major, BWV 1053: II. Siciliano | Johann Sebastian Bach, Lajos Lencsés, Wolfgang Rösch, Südwestdeutsches Kammerorchester Pforzheim, Paul Angerer | C Major | 2 | 8B | 117 BPM | ||
Concerto for 2 Oboes in C Major, Op. 7, No. 2: I. Allegro | Tomaso Albinoni, Lajos Lencsés, Miklos Bartha, Budapest Strings | A Minor | 1 | 8A | 69 BPM | ||
Emma, ou la promesse imprudente, S. 6 (Excerpts): Entr'acte to Act III | Daniel Auber, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 0 | 10B | 96 BPM | ||
Concerto for Oboe, Strings and Basso Continuo in D Minor, TWV 51:d1: I. Adagio | Georg Philipp Telemann, Ensemble 18+, Vilem Veverka, Barbara Maria Willi | D Minor | 1 | 7A | 69 BPM |
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