"The Choruses: Im stillen Friedhof" by Hugo Wolf, Netherlands Chamber Choir, Uwe Gronostay was released on August 19, 2002. With this song being about 5 minutes long, at 4:37, "The Choruses: Im stillen Friedhof" by Hugo Wolf, Netherlands Chamber Choir, Uwe Gronostay is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Hugo Wolf, Netherlands Chamber Choir, Uwe Gronostay's "Hugo Wolf: The Choruses" album is number 1 out of 15. The Choruses: Im stillen Friedhof is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Choruses: Im stillen Friedhof by Hugo Wolf, Netherlands Chamber Choir, Uwe Gronostay to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Messa da Requiem for Soloists, Chorus and Orchestra: II. Dies Irae: Liber scriptus proferetur | Giuseppe Verdi, Leonard Bernstein, London Symphony Orchestra | F Minor | 2 | 4A | 80 BPM | ||
From the Bavarian Highlands, Op. 27 (Version for Choir & Piano): No. 2, False Love | Edward Elgar, Bavarian Radio Chorus, Max Hanft, Howard Arman | D Major | 1 | 10B | 99 BPM | ||
Debussy: Apparition, CD 57, L. 53 | Claude Debussy, Sabine Devieilhe, Alexandre Tharaud | A♭ Minor | 1 | 1A | 89 BPM | ||
Messa di Gloria: IX. Cum Sancto Spiritu | Giacomo Puccini, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg, Pablo Larraz, Orfeó Català | C Major | 2 | 8B | 122 BPM | ||
Wesendonck Lieder, WWV 91 (Arr. Fontanelli for Voice and Ensemble): No. 4, Schmerzen | Richard Wagner, Kathrin Zukowski, KammerMusikKöln | E♭ Major | 1 | 5B | 69 BPM | ||
Myrthen, Op. 25: No. 1, Widmung | Felicity Lott, Graham Johnson | A♭ Major | 1 | 4B | 113 BPM | ||
Widmung, Op. 25, No. 1 | Robert Schumann, Jonas Kaufmann, Helmut Deutsch | A♭ Major | 2 | 4B | 150 BPM | ||
Mazs, laimīgs zēns: No. 8, Vientuļais Namiņš (Transcr. for Mezzosoprano and Piano) | Raimonds Pauls, Elina Garanca | A♭ Major | 0 | 4B | 81 BPM | ||
Illalle | Elja Puukko, Risto Lauriala | F Major | 2 | 7B | 0 BPM | ||
5 English Love Lyrics, Op. 24: Go, lovely rose | Roger Quilter, Anthony Rolfe Johnson, Graham Johnson | F♯ Major | 0 | 2B | 170 BPM |
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