"Das Rheingold, WWV 86A / Scene 2: "Gezahlt hab' ich; nun lasst mich zieh'n!"" by Richard Wagner, Gustav Neidlinger, Set Svanholm, George London, Wiener Philharmoniker, Sir Georg Solti was released on January 1, 2012. Das Rheingold, WWV 86A / Scene 2: "Gezahlt hab' ich; nun lasst mich zieh'n!" is about six minutes long, preciously at 5:35, making this song fairly long compared to other songs. There are a total of 414 in the song's album "Solti - Wagner - The Operas". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Das Rheingold, WWV 86A / Scene 2: "Gezahlt hab' ich; nun lasst mich zieh'n!"'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Das Rheingold, WWV 86A / Scene 2: "Gezahlt hab' ich; nun lasst mich zieh'n!" by Richard Wagner, Gustav Neidlinger, Set Svanholm, George London, Wiener Philharmoniker, Sir Georg Solti having a BPM of 125 with a half-time of 62 BPM and a double-time of 250 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Salome, Op. 54 / Scene 4: "Ah! Herrlich! Wundervoll, wundervoll!" | Richard Strauss, Leonie Rysanek, Cheryl Studer, Horst Hiestermann, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | E♭ Major | 1 | 5B | 71 BPM | ||
Un ballo in maschera / Act 1: "Che v'agita cosi?" ... "Della città all'occaso" | Giuseppe Verdi, Josephine Barstow, Florence Quivar, Plácido Domingo, Wiener Philharmoniker, Herbert von Karajan, Vienna State Opera Chorus | A Minor | 1 | 8A | 71 BPM | ||
Das Rheingold, WWV 86A: "Ohe! Ohe! Schreckliche Schlange" | Richard Wagner, Set Svanholm, George London, Gustav Neidlinger, Wiener Philharmoniker, Sir Georg Solti | B Major | 2 | 1B | 85 BPM | ||
Salome, Op. 54 / Scene 4: "Salome, komm, trink Wein mit mir" | Richard Strauss, Leonie Rysanek, Cheryl Studer, Horst Hiestermann, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | F♯ Minor | 9 | 11A | 85 BPM | ||
Madama Butterfly / Act 2: C'è. Entrate | Giacomo Puccini, Robert Kerns, Michel Sénéchal, Mirella Freni, Giorgio Stendoro, Wiener Philharmoniker, Herbert von Karajan | D♭ Major | 1 | 3B | 68 BPM | ||
Turandot / Act 3: Padre augusto (Turandot, Coro, Coro di ragazzi) | Giacomo Puccini, Katia Ricciarelli, Wiener Philharmoniker, Herbert von Karajan, Vienna State Opera Chorus | D Major | 5 | 10B | 84 BPM | ||
Verdi: Aida, Act 2: "Ebben, qual nuovo fremito t'assal, gentil Aida?" (Amneris, Aida) | Giuseppe Verdi, Riccardo Muti, New Philharmonia Orchestra | F Major | 1 | 7B | 80 BPM | ||
Die Walküre / Zweiter Aufzug: "Der alte Sturm, die alte Müh'" | Richard Wagner, Christa Ludwig, Wiener Philharmoniker, Sir Georg Solti | D Major | 1 | 10B | 78 BPM | ||
Les Contes d'Hoffmann (1989 Digital Remaster), Act I: Vive Dieu, mes amis (Nathanaël/Choeurs/Hermann/Lindorf/Luther/Nicklausse) | Jacques Offenbach, Nicolai Gedda, Elisabeth Schwarzkopf, Victoria de los Ángeles, Gianna D'Angelo, Christiane Gayraud, Robert Geay, Jean-Pierre Laffage, Jean Christophe Benoit, Michel Sénéchal, Ernest Blanc, George London, Nicola Ghiuselev, André Mallabrera, Renée Faure, Jacques Pruvost, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | B Minor | 1 | 10A | 77 BPM | ||
Otello / Act 4: "Piangea cantando nell'erma landa..." | Giuseppe Verdi, Kiri Te Kanawa, Elzbieta Ardam, Chicago Symphony Orchestra, Sir Georg Solti | B Major | 0 | 1B | 168 BPM |
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