Tbilisi Symphony Orchestra, Vakhtang Kakhidze's 'Romeo and Juliet, Op. 64 : Death of Tybalt (Suite No.1, Op.64b, No.7)' came out on January 1, 2003. With this song being around four minutes long, at 4:22, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 19 in the song's album "Prokofiev, Ballet Highlights; Stravinsky, Ballet Highlights". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Germany. Based on our statistics, Romeo and Juliet, Op. 64 : Death of Tybalt (Suite No.1, Op.64b, No.7)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Romeo and Juliet, Op. 64 : Death of Tybalt (Suite No.1, Op.64b, No.7) by Tbilisi Symphony Orchestra, Vakhtang Kakhidze having a BPM of 157 with a half-time of 78 BPM and a double-time of 314 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 3/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pavane pour une infante défunte, M. 19 (Version for Orchestra) | Maurice Ravel, Jahni Mardjani, The Georgian Festival Orchestra | E Major | 3 | 12B | 155 BPM | ||
New Vienna (Waltz), Op. 342 | Tbilisi Symphony Orchestra, Vakhtang Kakhidze | E♭ Major | 1 | 5B | 95 BPM | ||
Symphony No.1 in C major, Op. 21 : IV. Finale - Adagio - Allegro molto e vivace | Tbilisi Symphony Orchestra, Vakhtang Kakhidze | C Major | 4 | 8B | 141 BPM | ||
Romeo and Juliet, Op. 64 / Act 1: Dance Of The Knights | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | C Major | 1 | 8B | 79 BPM | ||
Orfeo ed Euridice, Wq. 30: Dance of the Blessed Spirits | Christoph Willibald Gluck, Leo Korchin, Renaissance Chamber Orchestra | F Major | 1 | 7B | 83 BPM | ||
说给海听 - DJAh版伴奏 | 一只白羊 | G Major | 7 | 9B | 110 BPM | ||
Prélude à l'après-midi d'un faune, L. 86 | Claude Debussy, Vakhtang Kakhidze, The Georgian Festival Orchestra | A♭ Minor | 1 | 1A | 61 BPM | ||
Xerxes, HWV 40: Largo | George Frideric Handel, Leo Korchin | F Major | 2 | 7B | 77 BPM | ||
Symphony No. 7 in A Major, Op. 92: II. Allegretto | Vladimir Fedoseyev, Moscow RTV Symphony Orchestra | E Minor | 0 | 9A | 139 BPM | ||
Má Vlast, JB1:112: 3. Sarka | Bedřich Smetana, Czech Philharmonic Orchestra, Jiří Bělohlávek | A Major | 1 | 11B | 100 BPM |
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