"Prélude à l'après-midi d'un faune, L. 86" by Claude Debussy, Vakhtang Kakhidze, The Georgian Festival Orchestra was released on August 5, 1994. Since Prélude à l'après-midi d'un faune, L. 86 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 4 out of 6 in Debussy: La Mer - Danse sacrée et danse profane by Claude Debussy, Vakhtang Kakhidze. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Prélude à l'après-midi d'un faune, L. 86 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Prélude à l'après-midi d'un faune, L. 86 by Claude Debussy, Vakhtang Kakhidze, The Georgian Festival Orchestra is Larghetto (rather broadly), since this song has a tempo of 61 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
A♭ Minor is the music key of this track. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Chopin: Nocturne No. 19 in E Minor, Op. Posth. 72 No. 1 | Frédéric Chopin, Elisabeth Leonskaja | E Minor | 0 | 9A | 91 BPM | ||
Rachmaninov: 10 Preludes, Op. 23: No. 5 in G Minor | Sergei Rachmaninoff, Nikolai Lugansky | G Minor | 1 | 6A | 113 BPM | ||
Chopin: Polonaise In A Flat, Op. 53, "Heroic" | London Festival Orchestra | A♭ Major | 3 | 4B | 77 BPM | ||
A Village Romeo and Juliet, Music Drama in six scenes - Arr. Beecham: The Walk To The Paradise Garden | Frederick Delius, Academy of St. Martin in the Fields, Sir Neville Marriner | E Major | 1 | 12B | 83 BPM | ||
Carmen, Suite No.2 : XI. La garde moutante | Saint Petersburg Orchestra of the State Hermitage Museum Camerata, Alexander Titov | D Minor | 2 | 7A | 121 BPM | ||
Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
Sonata for Cello and Piano No. 3 in A Major Op.69 (Scherzo. Allegro molto) | Uberto Pieroni | G Major | 3 | 9B | 138 BPM | ||
Children's Corner: I. Doctor Gradus Ad Parnassum | Peter Schmalfuss | D Minor | 0 | 7A | 68 BPM | ||
Pavane pour une infante défunte, M. 19 (Version for Orchestra) | Maurice Ravel, Minnesota Orchestra, Stanisław Skrowaczewski | D Minor | 2 | 7A | 171 BPM | ||
Opera 28 n. 15: Preludio | Maurizio Mastrini | D♭ Major | 0 | 3B | 72 BPM |
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