"Ein deutsches Requiem (A German Requiem) Op.45 (1988 Digital Remaster): IV. Wie lieblich sind deine Wohnungen (Mässig bewegt)" by Herbert von Karajan, Helmut Froschauer, Anna Tomowa-Sintow, David Bell, Berliner Philharmoniker, José van Dam was released on March 7, 2011. With this song being about 5 minutes long, at 5:29, "Ein deutsches Requiem (A German Requiem) Op.45 (1988 Digital Remaster): IV. Wie lieblich sind deine Wohnungen (Mässig bewegt)" by Herbert von Karajan, Helmut Froschauer, Anna Tomowa-Sintow, David Bell, Berliner Philharmoniker, José van Dam is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There is only one song in 100 Best Berliner Philharmoniker, so we believe that "Ein deutsches Requiem (A German Requiem) Op.45 (1988 Digital Remaster): IV. Wie lieblich sind deine Wohnungen (Mässig bewegt)" is a single. In terms of popularity, Ein deutsches Requiem (A German Requiem) Op.45 (1988 Digital Remaster): IV. Wie lieblich sind deine Wohnungen (Mässig bewegt) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Ein deutsches Requiem (A German Requiem) Op.45 (1988 Digital Remaster): IV. Wie lieblich sind deine Wohnungen (Mässig bewegt) by Herbert von Karajan, Helmut Froschauer, Anna Tomowa-Sintow, David Bell, Berliner Philharmoniker, José van Dam is Andante (at a walking pace), since this song has a tempo of 105 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphonie fantastique, Op. 14: II. Un bal | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | A Major | 1 | 11B | 107 BPM | ||
Le Carnaval des Animaux, R. 125: 14. Finale | Camille Saint-Saëns, Pascal Rogé, Cristina Ortiz, London Sinfonietta, Charles Dutoit | C Major | 3 | 8B | 102 BPM | ||
Symphony No.9 In E Minor, Op.95, B. 178 "From The New World": 3. Molto vivace | Antonín Dvořák, Wiener Philharmoniker, Herbert von Karajan | E Minor | 1 | 9A | 120 BPM | ||
Symphony No. 1 In B-Flat Minor: I. Allegro assai | William Walton, Herbert von Karajan, Orchestra Sinfonica di Roma della RAI | E♭ Major | 0 | 5B | 114 BPM | ||
Swan Lake Suite, Op. 20a: II. Waltz | Pyotr Ilyich Tchaikovsky, Wiener Philharmoniker, Gustavo Dudamel | A Major | 1 | 11B | 103 BPM | ||
String Quartet No. 62 in C Major, Op. 76, No. 3, Hob.III:77, "Emperor": II. Poco adagio, cantabile | Joseph Haydn, Kodály Quartet | G Major | 0 | 9B | 106 BPM | ||
The Hebrides, Op. 26 "Fingal's Cave" | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | D Major | 1 | 10B | 137 BPM | ||
Carmen Suite No. 2 (Arr. E. Guiraud): II. Habanera | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Major | 0 | 10B | 127 BPM | ||
Symphony No. 2: II. Allegro molto | Sergei Rachmaninoff, Valery Gergiev, London Symphony Orchestra | F Major | 1 | 7B | 146 BPM | ||
Requiem In D Minor, K.626: 7. Agnus Dei | Wolfgang Amadeus Mozart, Anna Tomowa-Sintow, Wiener Singverein, Wiener Philharmoniker, Herbert von Karajan | F Major | 1 | 7B | 87 BPM |
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