Claude Debussy, Theodore Baskin, Orchestre Symphonique de Montréal, Charles Dutoit made "Children's Corner, L. 113 - Orch. Caplet: The little Shepherd" available on June 17, 2022. The duration of Children's Corner, L. 113 - Orch. Caplet: The little Shepherd is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. Children's Corner, L. 113 - Orch. Caplet: The little Shepherd's duration is considered a little bit shorter than the average duration of a typical track. The song is number 110 out of 217 in Debussy: Classical Road Trip by Claude Debussy, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Children's Corner, L. 113 - Orch. Caplet: The little Shepherd's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Children's Corner, L. 113 - Orch. Caplet: The little Shepherd by Claude Debussy, Theodore Baskin, Orchestre Symphonique de Montréal, Charles Dutoit is Allegro (fast, quick, and bright), since this song has a tempo of 132 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lyric Pieces Book I, Op. 12: No. 7 Album Leaf | Edvard Grieg, Alice Sara Ott | D Major | 2 | 10B | 121 BPM | ||
Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | ||
Lyric Pieces Book I, Op. 12: No. 1 Arietta | Edvard Grieg, Emil Gilels | E♭ Major | 0 | 5B | 130 BPM | ||
Rhapsody on a Theme of Paganini, Op. 43: Variation No. 18 Andante cantabile | Sergei Rachmaninoff, Daniil Trifonov, Philadelphia Orchestra, Yannick Nézet-Séguin | D♭ Major | 1 | 3B | 88 BPM | ||
Requiem, Op. 48:IV. Pie Jesu (Arr. for Piano) | Gabriel Fauré, Emile Naoumoff | G Major | 1 | 9B | 99 BPM | ||
Humoresque No. 7 in G-flat Major, Op. 101 | Boston Symphony Orchestra, Yo-Yo Ma, Seiji Ozawa, Itzhak Perlman | F♯ Major | 1 | 2B | 83 BPM | ||
Variations on a Polish Theme, Op. 10: No. 5 Andantino | Karol Szymanowski, Martin Roscoe | B Minor | 0 | 10A | 70 BPM | ||
Suite bergamasque: Suite bergamasque: III. Clair de lune. Andante très expressif | Claude Debussy, Alain Planès | D♭ Major | 0 | 3B | 67 BPM | ||
Rustle of Spring, Op. 32, No. 3 | Christian Sinding, Helge Antoni | F Minor | 1 | 4A | 81 BPM | ||
Suite No. 11 in D Minor, HWV 437: III. Sarabande - Remastered 2022 | George Frideric Handel, Mario Sollazzo | B♭ Minor | 0 | 3A | 76 BPM |
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