Olaf Bär, Alexandra Coku, Carl Philipp Emanuel Bach Chamber Orchestra, Hartmut Haenchen's 'La gara degli dei: "Dalle legge comune"' came out on April 26, 2013. With La gara degli dei: "Dalle legge comune" being less than two minutes long, at 1:50, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Various Artists's "Heinichen: La gara degli dei" album is number 21 out of 27. On top of that, Germany appears to be the country where this track was created. In terms of popularity, La gara degli dei: "Dalle legge comune" is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of La gara degli dei: "Dalle legge comune" by Olaf Bär, Alexandra Coku, Carl Philipp Emanuel Bach Chamber Orchestra, Hartmut Haenchen to be Andante (at a walking pace) because the track has a tempo of 96 BPM, a half-time of 48BPM, and a double-time of 192 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orfeo ed Euridice: Act I, Scene 1, Orfeo: Chiamo il mio ben così | Christoph Willibald Gluck, René Jacobs, Bernarda Fink, Freiburger Barockorchester | F Major | 1 | 7B | 171 BPM | ||
St. John Passion, BWV 245: Part I: Chorale: Wer hat dich so geschlagen (Chorus) | Johann Sebastian Bach, Joanne Lunn, Katherine Fuge, Bernarda Fink, Mark Padmore, Robert Murray, Paul Tindall, Hanno Müller-Brachmann, Peter Harvey, Julian Clarkson, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | A♭ Major | 1 | 4B | 174 BPM | ||
Bach, CPE: Magnificat in D Minor, Wq. 215: VI. Deposuit potentes | Carl Philipp Emanuel Bach, Geraint Jones, Helen Watts, Wilfred Brown, Geraint Jones Orchestra | F Major | 1 | 7B | 85 BPM | ||
Matthäus-Passion, BWV 244 / Zweiter Teil: No. 38 "Petrus aber saß draußen im Palast" | Johann Sebastian Bach, Anthony Rolfe Johnson, Olaf Bär, English Baroque Soloists, John Eliot Gardiner, The Monteverdi Choir, The London Oratory Junior Choir | D♭ Major | 0 | 3B | 84 BPM | ||
Agnus Dei-adagio | Matthews, Arnold, American Bach Soloists, Munoz, Butterfield, Jeffrey Thomas | B♭ Major | 1 | 6B | 138 BPM | ||
49 Deutsche Volkslieder, WoO 33 / Book 2: No. 12, Feinsliebchen, du sollst mir nicht barfuß gehn | Johannes Brahms, Juliane Banse, Olaf Bär, Helmut Deutsch | E♭ Major | 1 | 5B | 83 BPM | ||
Matthäus-Passion, BWV 244 / Erster Teil: No. 23 "Gerne will ich mich bequemen" | Johann Sebastian Bach, Olaf Bär, English Baroque Soloists, John Eliot Gardiner | F♯ Minor | 0 | 11A | 134 BPM | ||
Pergolesi: Salve Regina in C Minor: II. Ad te clamamus (Alto) | Giovanni Battista Pergolesi, Véronique Gens, Gérard Lesne, Il Seminario Musicale | B♭ Minor | 1 | 3A | 69 BPM | ||
Orfeo ed Euridice: Act II, Scene 1, Orfeo: Mille pene, ombre moleste | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester, RIAS Kammerchor, Bernarda Fink | F Minor | 0 | 4A | 81 BPM | ||
Magnificat in D Major, Wq. 215: No. 1, Magnificat | Carl Philipp Emanuel Bach, Carl Philipp Emanuel Bach Chamber Orchestra, Hartmut Haenchen, Rundfunkchor Berlin, Michael Gläser, Barbara Bornemann, Venceslava Hruba-Freiberger, Olaf Bär, Peter Schreier | D Major | 4 | 10B | 140 BPM |
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