"Scenes from Childhood, op. 15: XIII. Der Dichter spricht" by Hélène Gàl was released on 1990. With Scenes from Childhood, op. 15: XIII. Der Dichter spricht being less than two minutes long, at 1:55, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Slovak Philharmonic, Peter Schmalfuss's "Music For The Millions Vol. 16 - Robert Schumann" album is number 13 out of 13. Based on our statistics, Scenes from Childhood, op. 15: XIII. Der Dichter spricht's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Scenes from Childhood, op. 15: XIII. Der Dichter spricht by Hélène Gàl to be Allegro (fast, quick, and bright) because the track has a tempo of 140 BPM, a half-time of 70BPM, and a double-time of 280 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wo die Zitronen blüh'n, Walzer, Op. 364 | Johann Strauss II, Zubin Mehta, Wiener Philharmoniker | G Major | 1 | 9B | 95 BPM | ||
Symphony No. 4 In A Major, Op. 90, MWV N 16 - "Italian": 1. Allegro vivace | Felix Mendelssohn, Orchestra Of The 18th Century, Frans Brüggen | E Major | 3 | 12B | 105 BPM | ||
Concerto for 2 Violins in D Minor, BWV 1043: I. Vivace | Camerata Romana, Eugen Duvier | D Minor | 3 | 7A | 91 BPM | ||
Water Music Suite No. 2 in D Major, HV 349: II. Alla Hornpipe | George Frideric Handel, Slovac Chamber Orchestra, Bohdan Warchal | A♭ Major | 1 | 4B | 128 BPM | ||
Carmen, Opera Suite No. 1: III. Intermezzo, Act 3 | London Festival Orchestra Alfred Scholz | E♭ Major | 0 | 5B | 134 BPM | ||
Capriccio, Op. 85: Mondscheinmusik | Richard Strauss, Daniel Barenboim, Wiener Philharmoniker | A Major | 1 | 11B | 82 BPM | ||
Klavier-Quintett, A-Dur, op. 114, D 667: Andante | Caspar Da Salo Quintett | C Major | 0 | 8B | 104 BPM | ||
Concerto for Piano and Orchestra No. 2, in C Minor, Op. 18: I. Moderato | Baltic New Philharmonia, Norbert Kirchmann | C Minor | 1 | 5A | 75 BPM | ||
Symphonie fantastique, Op. 14, H 48: IV. Marche au supplice (Allegretto non troppo) | Hector Berlioz, Royal Concertgebouw Orchestra, Sir Colin Davis | D♭ Major | 2 | 3B | 77 BPM | ||
Nocturne In E Flat | Nicolai Kureschky | B♭ Major | 0 | 6B | 115 BPM |
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