"Piano Concerto No. 2, Sz. 95: I. Allegro" by Béla Bartók, Lang Lang, Sir Simon Rattle, Berliner Philharmoniker was released on October 4, 2013. Piano Concerto No. 2, Sz. 95: I. Allegro appears to be safe for all ages as it is not explicit. There are a total of 6 in the song's album "Prokofiev & Bartók: Piano Concertos". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. In terms of popularity, Piano Concerto No. 2, Sz. 95: I. Allegro is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Piano Concerto No. 2, Sz. 95: I. Allegro by Béla Bartók, Lang Lang, Sir Simon Rattle, Berliner Philharmoniker having a BPM of 98 with a half-time of 49 BPM and a double-time of 196 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Daphnis et Chloé, M. 57 / Troisième partie: Danse générale | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez, Rundfunkchor Berlin | D♭ Minor | 4 | 12A | 173 BPM | ||
Symphony No. 5 in C-Sharp Minor: I. Trauermarsch (In gemessenem Schritt. Streng. Wie ein Kondukt - Plötzlich schneller. Leidenschaftlich. Wild - Tempo I) | Gustav Mahler, Berliner Philharmoniker, Claudio Abbado | D♭ Minor | 1 | 12A | 85 BPM | ||
String Quartet In F Minor, Hob. III:35, Op.20 No.5: 1. Moderato | Joseph Haydn, Emerson String Quartet | F Minor | 1 | 4A | 121 BPM | ||
13 Pieces, Op. 76: No. 1 Esquisse | Jean Sibelius, Håvard Gimse | A Major | 1 | 11B | 141 BPM | ||
Till Eulenspiegels lustige Streiche, Op. 28, TrV 171 | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | F Major | 1 | 7B | 90 BPM | ||
Herz und Mund und Tat und Leben, BWV 147: Chorale. Jesus bleibet meine Freude (Arr. for Piano) | Johann Sebastian Bach, Lang Lang | G Major | 0 | 9B | 80 BPM | ||
Japanese Suite, Op. 33: VI. Finale: Dance of the Wolves | Gustav Holst, Ulster Orchestra, Joann Falletta | C Minor | 4 | 5A | 101 BPM | ||
Prokofiev: Violin Concerto No. 1 in D Major, Op. 19: II. Scherzo. Vivacissimo | Sergei Prokofiev, Sarah Chang, Sir Simon Rattle, Berliner Philharmoniker | A Minor | 2 | 8A | 137 BPM | ||
13 Pieces, Op. 76: No. 4 Humoresque | Jean Sibelius, Håvard Gimse | D♭ Minor | 1 | 12A | 131 BPM | ||
Eine Alpensinfonie, Op.64, TrV 233: 12. Gefahrvolle Augenblicke | Richard Strauss, David Bell, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 0 | 6B | 95 BPM |
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