"Hamlet Op. 32 - 1932 Production - Act III - i. The poisoner's entrance; ii. Pois" by City Of Birmingham Symphony Orchestra, Sir Mark Elder was released on June 28, 2005. With Hamlet Op. 32 - 1932 Production - Act III - i. The poisoner's entrance; ii. Pois being less than two minutes long, at 1:28, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 44 in the song's album "Shostakovich: Hamlet & King Lear". In this album, this song's track order is #14. In terms of popularity, Hamlet Op. 32 - 1932 Production - Act III - i. The poisoner's entrance; ii. Pois is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Hamlet Op. 32 - 1932 Production - Act III - i. The poisoner's entrance; ii. Pois by City Of Birmingham Symphony Orchestra, Sir Mark Elder having a BPM of 103 with a half-time of 52 BPM and a double-time of 206 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Bartered Bride: Overture | Bedřich Smetana, BBC Symphony Orchestra, Jiří Bělohlávek | F Major | 2 | 7B | 145 BPM | ||
Britten: The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), Op. 34: Variation F (Meno mosso) | Benjamin Britten, Sir Simon Rattle, City Of Birmingham Symphony Orchestra | A Minor | 0 | 8A | 66 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 16 in F Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | F Major | 1 | 7B | 83 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: II. Scherzo: Allegro | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | G Major | 2 | 9B | 115 BPM | ||
Pelléas et Mélisande, Op. 80: 1. Prélude. Quasi Adagio | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | F Major | 2 | 7B | 98 BPM | ||
Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | B♭ Major | 2 | 6B | 147 BPM | ||
Symphony No. 5 in D Major, Op. 107, MWV N15, "Reformation": III. Andante | Felix Mendelssohn, RTÉ National Symphony Orchestra, Reinhard Seifried | G Minor | 0 | 6A | 96 BPM | ||
Haydn: The Creation, Hob. XXI:2, Pt. 2: No. 21, Recitative. "Straight opening her fertile womb" (Raphael) | Joseph Haydn, David Thomas/City of Birmingham Symphony Orchestra/Sir Simon Rattle, David Thomas, Sir Simon Rattle, City Of Birmingham Symphony Orchestra | B♭ Major | 3 | 6B | 109 BPM | ||
Requiem, Op. 63: IVm. Pie Jesu Domine | Charles Villiers Stanford, Carolyn Sampson, James Way, Ross Ramgobin, Marta Fontanals-Simmons, University of Birmingham Voices, City Of Birmingham Symphony Orchestra, Martyn Brabbins | E Major | 1 | 12B | 72 BPM | ||
Mendelssohn: Song Without Words in D Major, Op. 109, MWV Q34 | Felix Mendelssohn, Jacqueline du Pré, Gerald Moore | D Major | 0 | 10B | 93 BPM |
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