"Orpheus lex: Act I: Lists (Eurydice, Women's Chorus)" by Marie Nelson Bennett, Wendy Baker, The New York Virtuoso Singers, Artemis Chamber Ensemble, Harold Rosenbaum was released on April 1, 2014. The duration of Orpheus lex: Act I: Lists (Eurydice, Women's Chorus) is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. Orpheus lex: Act I: Lists (Eurydice, Women's Chorus)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 47 in the song's album "Orpheus Lex". In this album, this song's track order is #18. Orpheus lex: Act I: Lists (Eurydice, Women's Chorus) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Orpheus lex: Act I: Lists (Eurydice, Women's Chorus) by Marie Nelson Bennett, Wendy Baker, The New York Virtuoso Singers, Artemis Chamber Ensemble, Harold Rosenbaum having a BPM of 65 with a half-time of 32 BPM and a double-time of 130 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Main Titles | Danny Elfman | B♭ Major | 3 | 6B | 85 BPM | ||
Die Meistersinger von Nürnberg, Act 3: Prelude (Orchester) | Richard Wagner, Bavarian State Orchestra, Wolfgang Sawallisch | C Major | 4 | 8B | 49 BPM | ||
Adagio For Strings, Op.11/2 - Live | Samuel Barber, Baltimore Symphony Orchestra, David Zinman | B♭ Minor | 0 | 3A | 71 BPM | ||
Samuel's Death | James Horner, Vic Frasier | D Minor | 2 | 7A | 107 BPM | ||
Resitatiivi, Kun Jeesus Oli Ruokkinut | Joose Vähäsöyrinki, Markku Liukkonen, Heikki Rainio | C Minor | 1 | 5A | 76 BPM | ||
Guardians of the Whills Suite (From "Rogue One: A Star Wars Story") | Michael Giacchino, Vocal Arts Ensemble, Cincinnati Pops Orchestra, John Morris Russell | A Minor | 2 | 8A | 0 BPM | ||
The Car Lot | Bernard Herrmann | F♯ Major | 1 | 2B | 117 BPM | ||
Katya Kabanova, JW I/8, Act I Scene 1: Intermezzo I | Leoš Janáček, Sir Simon Rattle, London Symphony Orchestra | F♯ Major | 0 | 2B | 83 BPM | ||
Violin Concerto “Adrano”: II. Cadenza - senza misura | Samy Moussa, Andrew Wan, Orchestre Symphonique de Montréal, Kent Nagano | E Major | 2 | 12B | 179 BPM | ||
バレエ音楽「中国の不思議な役人」より | 春日部共栄高等学校吹奏楽部 | B♭ Minor | 3 | 3A | 149 BPM |
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