- BPM
- 71
- Key
- B♭ Minor
- Camelot
- 3A
Adagio For Strings, Op.11/2 - Live - Samuel Barber, Baltimore Symphony Orchestra, David Zinman Information
- Acousticness
- 87%
- Danceability
- 6%
- Energy
- 1%
- Instrumentalness
- 83%
- Liveness
- 24%
- Loudness
- 45%
- Speechiness
- 5%
- Valence
- 3%
- Popularity
- 29%
- Loudness
- -32.788 dB
Summary
"Adagio For Strings, Op.11/2 - Live" by Samuel Barber, Baltimore Symphony Orchestra, David Zinman was released on January 1, 1992. Since Adagio For Strings, Op.11/2 - Live is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 9 in Barber: Adagio; Symphony No.1 etc. by Samuel Barber, Baltimore Symphony Orchestra, David Zinman. Adagio For Strings, Op.11/2 - Live is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Adagio For Strings, Op.11/2 - Live BPM
The tempo marking of Adagio For Strings, Op.11/2 - Live by Samuel Barber, Baltimore Symphony Orchestra, David Zinman is Adagio (slowly with great expression), since this song has a tempo of 71 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
Adagio For Strings, Op.11/2 - Live Key
This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Peter Donohoe, David Curtis, Orchestra of the Swan | D♭ Major | 0 | 3B | 111 BPM | |
 | Serenade: I. Phaedrus - Pausanias. Lento - Allegro | Leonard Bernstein, Hilary Hahn, David Zinman, Baltimore Symphony Orchestra | F Minor | 1 | 4A | 168 BPM | |
 | Debussy / Orch. Stokowski: Suite bergamasque, CD 82, L. 75: III. Clair de lune | Claude Debussy, Wolfgang Sawallisch, Philadelphia Orchestra | F♯ Major | 0 | 2B | 113 BPM | |
 | America (from West Side Story) | Leonard Bernstein, Die 12 Cellisten der Berliner Philharmoniker | D Minor | 2 | 7A | 86 BPM | |
 | Symphony No.3 in F, Op.90: 3. Poco allegretto | Johannes Brahms, Gewandhausorchester Leipzig, Riccardo Chailly | C Minor | 1 | 5A | 82 BPM | |
 | Violin Concerto in A minor, Op.53: 3. Finale (Allegro giocoso, ma non troppo) | Antonín Dvořák, Julia Fischer, Tonhalle Orchester Zürich, David Zinman | A Major | 1 | 11B | 137 BPM | |
 | Also sprach Zarathustra, Op. 30: Prelude (Sonnenaufgang) | Richard Strauss, Royal Concertgebouw Orchestra, Bernard Haitink | B♭ Major | 2 | 6B | 77 BPM | |
| Violin Concerto in D Major, Op. 61: III. Rondo. Allegro | Ludwig van Beethoven, Hilary Hahn, David Zinman, Baltimore Symphony Orchestra | D Major | 1 | 10B | 81 BPM | |
 | Les Sylphides: 1. Prélude | Frédéric Chopin, Rotterdam Philharmonic Orchestra, David Zinman | A♭ Major | 0 | 4B | 85 BPM | |
 | Senza Mamma Suor Angelica | Barrington Pheloung | A Minor | 2 | 8A | 95 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7380034923553467
End: 0.7426207065582275