Wolfgang Amadeus Mozart, Nikolaus Harnoncourt, Concentus Musicus Wien's 'Serenade in D Major, K. 320, "Posthorn-Serenade": IV. Rondeau. Allegro ma non troppo' came out on January 20, 2014. Serenade in D Major, K. 320, "Posthorn-Serenade": IV. Rondeau. Allegro ma non troppo is about six minutes long, preciously at 6:29, making this song fairly long compared to other songs. The track order of this song in Wolfgang Amadeus Mozart, Nikolaus Harnoncourt's "Mozart: Symphony No. 35, K. 320 "Haffner" & Serenade No. 9, K. 385 "Posthorn"" album is number 5 out of 12. Serenade in D Major, K. 320, "Posthorn-Serenade": IV. Rondeau. Allegro ma non troppo is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Serenade in D Major, K. 320, "Posthorn-Serenade": IV. Rondeau. Allegro ma non troppo by Wolfgang Amadeus Mozart, Nikolaus Harnoncourt, Concentus Musicus Wien to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Church Sonata in C Major, K. 328/317c | Wolfgang Amadeus Mozart, Anders Eidsten Dahl, Arvid Engegard, Atle Sponberg, Embrik Snerte | A Major | 1 | 11B | 139 BPM | ||
Cello Concerto in B flat, G.482: 2. Adagio non Troppo | Luigi Boccherini, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | G Minor | 1 | 6A | 90 BPM | ||
String Quartet No. 1 in D Major, Op. 11: II. Andante cantabile | Pyotr Ilyich Tchaikovsky, Brodsky Quartet | B♭ Major | 0 | 6B | 118 BPM | ||
Sinfonia in C major, RV 112: II. Andante | Karoly Botvay | C Minor | 1 | 5A | 112 BPM | ||
Keyboard Sonatina In F Major, Op. 36, No. 4: II. Andante Con Espressione | Muzio Clementi, Balazs Szokolay | B♭ Major | 1 | 6B | 132 BPM | ||
Mozart: Violin Concerto No. 5 in A Major, K. 219 "Turkish": II. Adagio (Cadenza by Joachim) | Wolfgang Amadeus Mozart, Vilde Frang, Jonathan Cohen, Arcangelo | F♯ Minor | 3 | 11A | 187 BPM | ||
Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | ||
Piano Sonata No. 14 In C Minor, K. 457: I. Molto Allegro | Jenő Jandó, Wolfgang Amadeus Mozart | C Minor | 1 | 5A | 97 BPM | ||
Requiem in D Minor, K. 626: 7. Agnus Dei - Live | Wolfgang Amadeus Mozart, Karita Mattila, Sara Mingardo, Michael Schade, Bryn Terfel, Berliner Philharmoniker, Claudio Abbado, Swedish Radio Choir, Kay Johannsen | F Major | 1 | 7B | 108 BPM | ||
Cello Concerto No. 1 in G Major: II. Romance: Andantino | Carl Stamitz, Christian Benda, Prague Chamber Orchestra | B♭ Major | 0 | 6B | 91 BPM |
Section: 0.6351161003112793
End: 0.6381621360778809