Jenő Jandó, Wolfgang Amadeus Mozart made "Piano Sonata No. 14 In C Minor, K. 457: I. Molto Allegro" available on February 12, 1992. With this song being about 5 minutes long, at 5:27, "Piano Sonata No. 14 In C Minor, K. 457: I. Molto Allegro" by Jenő Jandó, Wolfgang Amadeus Mozart is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Jenő Jandó's "Mozart: Piano Sonatas Vol. 5" album is number 2 out of 10. On top of that, Hong Kong appears to be the country where this track was created. In terms of popularity, Piano Sonata No. 14 In C Minor, K. 457: I. Molto Allegro is currently below average in popularity. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Piano Sonata No. 14 In C Minor, K. 457: I. Molto Allegro by Jenő Jandó, Wolfgang Amadeus Mozart to be Andante (at a walking pace) because the track has a tempo of 97 BPM, a half-time of 48BPM, and a double-time of 194 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem In D Minor, K. 626: Offertory: I. Domine Jesu Christe | Slovak Philharmonic, Slovak Philharmonic Chorus, Vladimir Ruso, Magdaléna Hajóssyová, Stefan Klimo, Peter Mikulas, Jozef Kundlák, Jaroslava Horska, Wolfgang Amadeus Mozart | G Minor | 2 | 6A | 91 BPM | ||
Piano Concerto No. 10 in E-Flat Major, K. 365: III. Rondeau (Allegro) | Wolfgang Amadeus Mozart, Malcolm Bilson, Robert Levin, English Baroque Soloists, John Eliot Gardiner | B Minor | 1 | 10A | 104 BPM | ||
Fantasia in C minor, K.475: Andantino | Wolfgang Amadeus Mozart, András Schiff | C Minor | 0 | 5A | 142 BPM | ||
Liebestraume, S541/R211 : No. 3: Nocturne in A-Flat Major | Franz Liszt, Jenő Jandó | A♭ Major | 0 | 4B | 60 BPM | ||
3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major (Arr. P. Gouin for Cello & Piano) | Gabriel Fauré, Jesper Svedberg, Simon Crawford-Phillips | A Major | 0 | 11B | 79 BPM | ||
Divertimento No. 6 in G Major, Op. 38: Divertimento No. 6 in G Major, Op. 38 | Carl Maria von Weber, Ensemble 3 Mouvements | G Major | 0 | 9B | 119 BPM | ||
Concerto Grosso in D Major, Op. 1, No. 5: I. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | D Major | 1 | 10B | 119 BPM | ||
Mozart: Piano Sonata No. 11 in A Major, K. 331 "Alla turca": I. (d) Variation III | Wolfgang Amadeus Mozart, YUNDI | B♭ Major | 0 | 6B | 79 BPM | ||
Variations on a Rococo Theme for Cello and Orchestra, Op. 33: Thema. Moderato semplice | Pyotr Ilyich Tchaikovsky, Jan Vogler | A Major | 0 | 11B | 66 BPM | ||
Nocturne No. 4 in A Major | John Field, Benjamin Frith | A Major | 0 | 11B | 69 BPM |
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