"Capriccio Espagnol, Op. 34: 4. Scena e canto gitano" by Nikolai Rimsky-Korsakov, London Symphony Orchestra, Ataúlfo Argenta was released on January 1, 1958. With this song being about 5 minutes long, at 4:43, "Capriccio Espagnol, Op. 34: 4. Scena e canto gitano" by Nikolai Rimsky-Korsakov, London Symphony Orchestra, Ataúlfo Argenta is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 5 out of 15 in Debussy / Granados / Rimsky-Korsakov etc.: Images / Spanish Dance No.5 / Capriccio Espagnol etc. by London Symphony Orchestra, L'Orchestre de la Suisse Romande, Ataúlfo Argenta, Claude Debussy, Emmanuel Chabrier, Enrique Granados, Moritz Moszkowski, Nikolai Rimsky-Korsakov. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Capriccio Espagnol, Op. 34: 4. Scena e canto gitano is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Capriccio Espagnol, Op. 34: 4. Scena e canto gitano by Nikolai Rimsky-Korsakov, London Symphony Orchestra, Ataúlfo Argenta is Moderato (at a moderate speed), since this song has a tempo of 116 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 3/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
Polovetsian Dances from Prince Igor: Introduzione | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 1 | 11B | 83 BPM | ||
Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | F Major | 2 | 7B | 131 BPM | ||
Rage Over A Lost Penny, Op. 129 | Valentina Lisitsa | G Major | 2 | 9B | 80 BPM | ||
The Snow Maiden / Act 1: "Golubushki, golubushki-devitsi" | Nikolai Rimsky-Korsakov, Valeria Heybalova, Dushan Popovich, Belgrade National Opera Chorus, Belgrade National Opera Orchestra, Kreshimir Baranovich | B Minor | 1 | 10A | 81 BPM | ||
3rd Movement: Scherzo | London Philharmonic Orchestra | C Major | 1 | 8B | 118 BPM | ||
Le roi s'amuse: Pavane | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | B♭ Major | 0 | 6B | 91 BPM | ||
Rhapsodie Orientale, Op. 29: 1. Andante | Alexander Glazunov, Orchestre Symphonique de Montréal, Charles Dutoit | D♭ Major | 0 | 3B | 89 BPM | ||
Fantasia on Serbian Themes, Op. 6 | Nikolai Rimsky-Korsakov, Moscow Symphony Orchestra, Igor Golovschin | D Major | 0 | 10B | 69 BPM | ||
Raymonda, Act III: Variation for male dancer | Alexander Glazunov, English National Ballet Philharmonic, Gavin Sutherland | A♭ Major | 0 | 4B | 61 BPM |
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