"DAWN FROM "PEER GYNT"" by Royal Philharmonic Orchestra was released on February 15, 1994. With this song being around four minutes long, at 3:55, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 2 out of 58 in CLASSICAL MUSIC FOR PEOPLE WHO HATE CLASSICAL MUSIC 4-CD SET by Various Artists. DAWN FROM "PEER GYNT" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of DAWN FROM "PEER GYNT" by Royal Philharmonic Orchestra is Andante (at a walking pace), since this song has a tempo of 88 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Leaving Netherfield - From "Pride & Prejudice" Soundtrack | Jean-Yves Thibaudet | C Minor | 1 | 5A | 104 BPM | ||
The Queen Symphony: II: Allegretto (Pastoral) (Love of My Life - Another One Bites the Dust - Killer Queen) | Tolga Kashif, Royal Philharmonic Orchestra, London Voices, London Oratory Boys' Choir, John Lenehan | G Minor | 1 | 6A | 94 BPM | ||
The English Patient | City of Prague Orchestra, David Micheal Frank | B Minor | 2 | 10A | 86 BPM | ||
Adagio for Strings, Op. 11 - (Platoon) | Samuel Barber, Royal Philharmonic Orchestra, James Morgan | B♭ Minor | 1 | 3A | 84 BPM | ||
Vienna Blood - Waltz Op. 354 | Johann Strauss II, Hallé, Bryden Thomson | C Major | 0 | 8B | 178 BPM | ||
The Sleeping Beauty, Op. 66: No. 7 Valse | Pyotr Ilyich Tchaikovsky, Orchestra of the Royal Opera House, Covent Garden | B♭ Major | 1 | 6B | 93 BPM | ||
End Credits - Instrumental | Rachel Portman, John Lenehan, David Snell | C Major | 1 | 8B | 141 BPM | ||
Seconda navigazione | Roberto Cacciapaglia, Royal Philharmonic Orchestra, Michele Fedrigotti | B Minor | 3 | 10A | 89 BPM | ||
Rhapsody on a Theme of Paganini, Op. 43: Variation 18 | Sergei Rachmaninoff, Bernd Glemser, Polish National Radio Symphony Orchestra, Antoni Wit | D♭ Major | 1 | 3B | 76 BPM | ||
On the Beautiful Blue Danube - Waltz Op. 314 | Johann Strauss II, Hallé, Bryden Thomson | D Major | 0 | 10B | 81 BPM |
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