"モーツァルトの歌劇「魔笛」による演奏会用幻想曲" by Pablo de Sarasate, Tianwa Yang, Navarre Symphony Orchestra, Ernest Martinez Izquierdo was released on November 26, 2014. モーツァルトの歌劇「魔笛」による演奏会用幻想曲 appears to be safe for all ages as it is not explicit. There is only one song in 銀盤クラシック オペラ座 to 第九 - for Figure Skating 2014-2015(フィギュアスケート), so we believe that "モーツァルトの歌劇「魔笛」による演奏会用幻想曲" is a single. Based on our statistics, モーツァルトの歌劇「魔笛」による演奏会用幻想曲's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of モーツァルトの歌劇「魔笛」による演奏会用幻想曲 by Pablo de Sarasate, Tianwa Yang, Navarre Symphony Orchestra, Ernest Martinez Izquierdo is Allegro (fast, quick, and bright), since this song has a tempo of 123 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Serenade for String Orchestra in C Major, Op. 48, TH 48: II. Valse | Pyotr Ilyich Tchaikovsky, The Russian Virtuosi of Europe, Yuri Zhislin | G Major | 2 | 9B | 98 BPM | ||
Cello Sonata No. 1 in E Minor, Op. 38: II. Allegretto quasi menuetto | Johannes Brahms, Maria Kliegel, Kristin Merscher | A Minor | 0 | 8A | 104 BPM | ||
Symphonie Espagnole In D Minor, Op.21: 1. Allegro non troppo | Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | D Minor | 1 | 7A | 75 BPM | ||
Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
Serenade for Strings in E Major, Op. 22, B. 52: III. Scherzo. Vivace | Antonín Dvořák, Prague Chamber Orchestra, Petr Skvor | F Major | 2 | 7B | 130 BPM | ||
Symphonie espagnole, Op. 21: V. Rondo | Édouard Lalo, Itzhak Perlman, André Previn, London Symphony Orchestra | D Major | 2 | 10B | 109 BPM | ||
Polonaise de Concert in D Major, Op. 4 | Henryk Wieniawski, Joshua Bell, Peter Dugan | D Major | 2 | 10B | 98 BPM | ||
Holberg Suite, Op. 40: IV. Air (Andante religioso) | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | B♭ Major | 0 | 6B | 86 BPM | ||
Carmen, fantasie brillante, Op. 3, No. 3: Andante moderato | Jenő Hubay, Benjamin Schmid, Lisa Smirnova | B Minor | 2 | 10A | 122 BPM | ||
Violin Partita No. 3 in E Major, BWV 1006: II. Loure | Johann Sebastian Bach, Hilary Hahn | D♭ Minor | 1 | 12A | 133 BPM |
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