"The Singing: I. Andante - Allegro - Andante" by Sally Beamish, James Crabb, Royal Scottish National Orchestra, Martyn Brabbins was released on October 2, 2015. Since The Singing: I. Andante - Allegro - Andante is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 15 in the song's album "Sally Beamish: The Singing". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Sweden. The Singing: I. Andante - Allegro - Andante is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Singing: I. Andante - Allegro - Andante by Sally Beamish, James Crabb, Royal Scottish National Orchestra, Martyn Brabbins having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Variations on a Theme by Frank Martin, Op. 105: Var. 2, Adagio | Arnold Rosner, London Philharmonic Orchestra, Nick Palmer | C Minor | 1 | 5A | 136 BPM | ||
Christ lag in Todesbanden: Versus I | Johann Pachelbel, Beate Spaltner, Nils Giebelhausen, Wolf Matthias Friedrich, Jurgen Banholzer, Hermann Oswald, Balthasar-Neumann-Chor, Balthasar-Neumann-Ensemble, Thomas Hengelbrock | D Minor | 3 | 7A | 109 BPM | ||
Ave Maria, WAB 6 | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | F Major | 0 | 7B | 65 BPM | ||
Seavaigers: Haven | Chris Stout, Catriona McKay, Scottish Ensemble, Sally Beamish | A Minor | 4 | 8A | 149 BPM | ||
Viola Concerto No. 2, "The Seafarer": II. Andante malevole | Sally Beamish, Tabea Zimmermann, Swedish Chamber Orchestra, Ola Rudner | B♭ Major | 2 | 6B | 106 BPM | ||
Canticles & Prayers, Inexpressible Wonder: No. 6, The Inexpressible Miracle | Georgy Sviridov, Latvian Radio Choir, Sigvards Kļava | A♭ Major | 0 | 4B | 77 BPM | ||
Couperin: Les Baricades mistérieuses | François Couperin, Aurora Orchestra, Nicholas Collon | B♭ Major | 0 | 6B | 65 BPM | ||
Komm, Jesu, komm, BWV 229 | Johann Sebastian Bach, The Monteverdi Choir, John Eliot Gardiner | F♯ Minor | 1 | 11A | 131 BPM | ||
Tree Carols: No. 3, Vigil | Sally Beamish, Roderick Williams, Coull Quartet | C Major | 1 | 8B | 106 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ" (Remastered): I. Poco adagio | Camille Saint-Saëns, Eugene Ormandy, E. Power Biggs, Philadelphia Orchestra | C Major | 4 | 8B | 105 BPM |
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