Leonard Bernstein: Seven Anniversaries: In Memoriam: Natalie Koussevitzky
Leonard Bernstein, Alexander Frey
Big Americana Box
2:34 June 30, 2015
BPM
128
Key
C Major
Camelot
8B

Embed

Share Link

Leonard Bernstein: Seven Anniversaries: In Memoriam: Natalie Koussevitzky - Leonard Bernstein, Alexander Frey Information

Acousticness
99%
Danceability
62%
Energy
0%
Instrumentalness
86%
Liveness
8%
Loudness
47%
Speechiness
9%
Valence
15%
Popularity
Loudness
-32.023 dB

Summary

"Leonard Bernstein: Seven Anniversaries: In Memoriam: Natalie Koussevitzky" by Leonard Bernstein, Alexander Frey was released on June 30, 2015. The duration of Leonard Bernstein: Seven Anniversaries: In Memoriam: Natalie Koussevitzky is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. Leonard Bernstein: Seven Anniversaries: In Memoriam: Natalie Koussevitzky's duration is considered a little bit shorter than the average duration of a typical track. The song is number 18 out of 104 in Big Americana Box by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Leonard Bernstein: Seven Anniversaries: In Memoriam: Natalie Koussevitzky's popularity is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.

Leonard Bernstein: Seven Anniversaries: In Memoriam: Natalie Koussevitzky BPM

The tempo marking of Leonard Bernstein: Seven Anniversaries: In Memoriam: Natalie Koussevitzky by Leonard Bernstein, Alexander Frey is Allegro (fast, quick, and bright), since this song has a tempo of 128 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.

Leonard Bernstein: Seven Anniversaries: In Memoriam: Natalie Koussevitzky Key

This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
The Firebird Suite (1919 Version): I. Introduction by Igor Stravinsky, Leonard Bernstein, New York PhilharmonicThe Firebird Suite (1919 Version): I. IntroductionIgor Stravinsky, Leonard Bernstein, New York PhilharmonicC Minor05A87 BPM
Pini di Roma, P. 141: I. I pini di Villa Borghese by Ottorino Respighi, Buffalo Philharmonic Orchestra, Joann FallettaPini di Roma, P. 141: I. I pini di Villa BorgheseOttorino Respighi, Buffalo Philharmonic Orchestra, Joann FallettaD♭ Minor112A130 BPM
Scheherazade, Op. 35: II. Lento - Andantino Scheherazade, Op. 35: II. Lento - Andantino "The Legend of the Kalendar Prince"Nikolai Rimsky-Korsakov, New York Philharmonic, Alan Gilbert, Lawrence RockG Major19B59 BPM
Pictures at an Exhibition: II. Il vecchio castello by Modest Mussorgsky, Leonard Bernstein, New York PhilharmonicPictures at an Exhibition: II. Il vecchio castelloModest Mussorgsky, Leonard Bernstein, New York PhilharmonicA♭ Major04B86 BPM
Carmen Suite No. 2 (Arr. E. Guiraud): VI. Danse bohème by Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo GonzálezCarmen Suite No. 2 (Arr. E. Guiraud): VI. Danse bohèmeGeorges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo GonzálezE Major112B136 BPM
Appalachian Spring: VIII. Coda. Moderato by Aaron Copland, Leonard Bernstein, New York PhilharmonicAppalachian Spring: VIII. Coda. ModeratoAaron Copland, Leonard Bernstein, New York PhilharmonicC Major08B106 BPM
Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) by Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel HardingSymphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo)Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel HardingB♭ Major26B147 BPM
Carmen Suite No. 1: Intermezzo. Andantino quasi Allegretto (Prelude to Act III) by Georges Bizet, Leonard Bernstein, New York PhilharmonicCarmen Suite No. 1: Intermezzo. Andantino quasi Allegretto (Prelude to Act III)Georges Bizet, Leonard Bernstein, New York PhilharmonicC Minor25A137 BPM
Carmen Suite No. 1: 1. Prélude by Georges Bizet, Orchestre de Paris, Semyon BychkovCarmen Suite No. 1: 1. PréludeGeorges Bizet, Orchestre de Paris, Semyon BychkovA Minor18A96 BPM
Symphony No. 5 in D Minor, Op. 47: III. Largo by Dmitri Shostakovich, Leonard Bernstein, New York PhilharmonicSymphony No. 5 in D Minor, Op. 47: III. LargoDmitri Shostakovich, Leonard Bernstein, New York PhilharmonicA Major111B64 BPM
ISRC
USKO11500986
Label
L-M Records/RCA Records

Section: 0.7247238159179688

End: 0.728581428527832