David Robertson, Malcolm Sparrow-Crawford made "Chapter 7 - Strangers - The Reckoner 1" available on October 15, 2019. The duration of Chapter 7 - Strangers - The Reckoner 1 is about 3 minutes long, at 3:07. Based on our data, "Chapter 7 - Strangers - The Reckoner 1" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 153 in the song's album "Strangers [The Reckoner 1 (Unabridged)]". In this album, this song's track order is #7. In terms of popularity, Chapter 7 - Strangers - The Reckoner 1 is currently unknown. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Chapter 7 - Strangers - The Reckoner 1 by David Robertson, Malcolm Sparrow-Crawford having a BPM of 106 with a half-time of 53 BPM and a double-time of 212 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Goodbye To Me | David Robertson | E Major | 5 | 12B | 128 BPM | ||
Rückert-Lieder: Ich bin der Welt abhanden gekommen | Gustav Mahler, Violeta Urmana, Wiener Philharmoniker, Pierre Boulez | F Major | 0 | 7B | 169 BPM | ||
The Firebird Suite *: Finale | Igor Stravinsky, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari | D♭ Minor | 3 | 12A | 64 BPM | ||
Concierto Para Piano Y Orquesta En Sol Mayor - Adagio Assai | Martha Argerich | E Major | 1 | 12B | 78 BPM | ||
Namouna: No. 5, Fête foraine | Édouard Lalo, David Robertson, Monte-Carlo Philharmonic Orchestra | F♯ Minor | 2 | 11A | 87 BPM | ||
3 Gymnopédies: No.2 | Erik Satie, Pascal Rogé | F Major | 0 | 7B | 133 BPM | ||
60e Parallele (60th Parallel): Prologue (Musique electronique) | Philippe Manoury, Jean-Philippe Courtis, Menai Davies, Hedwig Fassbender, Paul Gay, Rie Hamada, Marie Therese Keller, Donald Maxwell, Jean-Marc Salzmann, Ian Thompson, Orchestre de Paris, David Robertson | C Major | 0 | 8B | 91 BPM | ||
Nocturnes, L. 91: 1. Nuages | Claude Debussy, Berliner Philharmoniker, Claudio Abbado | C Major | 0 | 8B | 83 BPM | ||
Suite from L'Oiseau de feu: IV. Lullaby | Igor Stravinsky, New York Philharmonic, David Robertson | B Major | 2 | 1B | 84 BPM | ||
Peer Gynt Suite No.1, Op.46: 2. The Death Of Aase | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 45 BPM |
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