Cyrille Rose, John Walker, Christopher Hill and John Walker's 'Etude No. 25 in c' came out on January 1, 2006. The duration of Etude No. 25 in c is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. Etude No. 25 in c's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 32 in the song's album "Rose Etudes". In this album, this song's track order is #25. Furthermore, we believe that the track originated from United States. Based on our statistics, Etude No. 25 in c's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Etude No. 25 in c by Cyrille Rose, John Walker, Christopher Hill and John Walker having a BPM of 126 with a half-time of 63 BPM and a double-time of 252 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Oriental | Pattapio Silva, Guilherme Andreas, Gianne Ge Zhu | D Minor | 2 | 7A | 74 BPM | ||
Petite Suite, L. 65 (Arr. for Chamber Ensemble by Shuhei Isobe): I. En bateau | Claude Debussy, Tokyo Sextet | G Minor | 1 | 6A | 73 BPM | ||
Solo de concours, Op. 10 | Henri Rabaud, Michael Collins, Michael McHale | F Major | 0 | 7B | 83 BPM | ||
Etude No. 16 in b | Cyrille Rose, John Walker, Christopher Hill and John Walker | D Minor | 4 | 7A | 106 BPM | ||
Scaramouche, Op. 165c: I. Vif | Darius Milhaud, Sohre Rahbari, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari | C Major | 2 | 8B | 127 BPM | ||
24 Preludes, Op. 34 (Excerpts Arr. B. Hainaut for Bassoon & Piano): No. 13, Moderato | Dmitri Shostakovich, Lola Descours, Paloma Kouider | D♭ Major | 6 | 3B | 125 BPM | ||
Etude No. 28 in E | Cyrille Rose, John Walker, Christopher Hill and John Walker | F♯ Major | 4 | 2B | 90 BPM | ||
Canon (Ferdinand Braunroth) | The Gerst Ensemble | D Major | 0 | 10B | 85 BPM | ||
Etude No. 30 in B | Cyrille Rose, John Walker, Christopher Hill and John Walker | F♯ Major | 4 | 2B | 90 BPM | ||
Septet in E-Flat Major, Op. 65: II. Menuet. Tempo di minuetto moderato | Camille Saint-Saëns, Nash Ensemble | F Major | 1 | 7B | 135 BPM |
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