Jean-Louis Duport, Alessandro Andriani, Simone Ceppetelli made "Etude No. 7 in G Minor (Allegro)" available on September 20, 2013. With Etude No. 7 in G Minor (Allegro) being less than two minutes long, at 1:31, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 7 out of 21 in Duport: Etudes for Cello Solo by Jean-Louis Duport, Alessandro Andriani, Simone Ceppetelli. The popularity of Etude No. 7 in G Minor (Allegro) is currently not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Etude No. 7 in G Minor (Allegro) by Jean-Louis Duport, Alessandro Andriani, Simone Ceppetelli is Vivace (lively and fast), since this song has a tempo of 163 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Double Bass Concerto, Op. 3: III. Allegro | Serge Koussevitzky, Iván Sztankov, Budapest Symphony Orchestra, Janos Kovacs | F♯ Minor | 2 | 11A | 69 BPM | ||
L'arte dell'arco, B. F11: Variazione No. 3 | Giuseppe Tartini, Alessandro Clerici | F Major | 3 | 7B | 125 BPM | ||
Quartetto "La fucina di Vulcano" in F Major: I. Vulcano nella Fucina geloso di Venere. Allegro | Carlo Monza, Europa Galante, Fabio Biondi, Andrea Rognoni, Stefano Marcocchi, Alessandro Andriani | E Major | 3 | 12B | 83 BPM | ||
Partite sopra diverse per il violino: VIII. Barabano per la lettera e | Giovanni Battista Vitali, Italico Splendore, Claudio Andriani, Alessandro Andriani, Fabiano Merlante, Mario Sollazzo | G Minor | 1 | 6A | 96 BPM | ||
The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 2 in C minor, BWV 847 | Luc Beauséjour | B Minor | 6 | 10A | 110 BPM | ||
Cello Concerto No. 1 in G Minor, Op. 49: I. Allegro | Dmitry Kabalevsky, Eugene Ormandy, Philadelphia Orchestra | C Major | 2 | 8B | 97 BPM | ||
Suite in G Minor, HWV 432: VI. Passacaglia | George Frideric Handel, Anthony Newman | A Major | 2 | 11B | 107 BPM | ||
The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 1 in C major, BWV 846 | Luc Beauséjour | B Major | 3 | 1B | 78 BPM | ||
Trio in A Minor, Op. 114: I. Allegro | Johannes Brahms, Luigi Magistrelli, Alessandro Andriani, Claudia Bracco | B♭ Major | 0 | 6B | 69 BPM | ||
44 Duos for 2 Violins, BB 104, Vol. 1: Parosito (Teasing Song) | Béla Bartók, György Pauk, Kazuki Sawa | B Minor | 0 | 10A | 112 BPM |
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