"Bridal March from Sørfold (Arr. Tine Thing Helseth & Kåre Nordstoga)" by Tine Thing Helseth, Kåre Nordstoga, Traditional was released on May 28, 2021. With this song being around four minutes long, at 3:46, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Tine Thing Helseth, Kåre Nordstoga's "Magical Memories" album is number 10 out of 25. On top of that, Norway appears to be the country where this track was created. Bridal March from Sørfold (Arr. Tine Thing Helseth & Kåre Nordstoga) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Bridal March from Sørfold (Arr. Tine Thing Helseth & Kåre Nordstoga) by Tine Thing Helseth, Kåre Nordstoga, Traditional to be Adagio (slowly with great expression) because the track has a tempo of 68 BPM, a half-time of 34BPM, and a double-time of 136 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto in E Minor, Op. 64, MWV O14: II. Andante | Felix Mendelssohn, Hilary Hahn, Hugh Wolff, Oslo-Filharmonien | G Major | 1 | 9B | 174 BPM | ||
Oboe Concerto in C: 3. Siciliana | Domenico Cimarosa, Heinz Holliger, I Musici | A Minor | 1 | 8A | 84 BPM | ||
Vocalise | Sergei Rachmaninoff, Tine Thing Helseth, Kathryn Stott | B♭ Minor | 0 | 3A | 71 BPM | ||
Deux Morceaux (arr. for brass ensemble by Jarle Storløkken): I. Nocturne | Lili Boulanger, tenThing, Tine Thing Helseth | C Minor | 3 | 5A | 76 BPM | ||
Piano Concerto No. 3 in B Minor, Op. 89: II. Larghetto | Johann Nepomuk Hummel, Stephen Hough, English Chamber Orchestra, Bryden Thomson | G Major | 0 | 9B | 69 BPM | ||
Overture (Suite) In G Minor, TWV 55: G4: VI. Gasconnade | Cologne Chamber Orchestra, Georg Philipp Telemann | G Minor | 4 | 6A | 146 BPM | ||
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM | ||
Concerto a 5 in B flat, Op.7, no.10 for Strings and Continuo: 3. Allegro | Tomaso Albinoni, I Musici | B♭ Major | 2 | 6B | 107 BPM | ||
English Folk Song Suite: 1. March: Seventeen come Sunday | Ralph Vaughan Williams, Academy of St. Martin in the Fields, Sir Neville Marriner | F Minor | 2 | 4A | 121 BPM | ||
Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | B♭ Major | 2 | 6B | 147 BPM |
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